Nicky and Uri, two young Israeli, arrive in New York, living off small theft. They set down in a very modest Brooklyn appartment. One night, during an argument with Uri, Nicky inadvertently shoots herself in the leg.

Michale is a thirty year old woman. She works with her father in a Tel Aviv accounting office providing services to important religious institutions. She divides her time between her child, her husband, her work and the man with whom she is having an affair. When Michale learns of the tragic death of her lover, her life is shattered.

Forty-something Saul is a melancholic dreamer, with a tendency to run whenever things go wrong. He returns to Haifa one day for a reckoning with the father he has not seen in five years. But getting along with an airy-fairy mother-in-law with a penchant for new age, a daughter on the verge of adolescence and a father who's been converted to Yoga is not easy. After a fateful slip, Saul will find his place as son, a father and more

Hannah and Daniel are in their 40's , both musicians. She is french and he is quebecer living in Montreal. They live by their music, reviving Synagogal french music composed between the late 19th century and the beginning of the 20th., genuine piece of a lost musical treasure. But since a while, they are having an hard time keeping their group Alive. They face financial burden, and lack ressources and local subventions, despite their talents and dedication. If Daniel is constantly looking for solutions, Hannah is not ready for any compromise. How would they save their couple, their love, their music ?

A family in Jerusalem is torn apart by the mysterious disappearance of their father after a tragic a car accident.

这部以非辨论方式讲述舆论制造的纪录片是法国导演拉菲尔-纳加里（Raphal Nadjari）继《解放的女人》后又一部用希伯莱语拍摄的以色列影片。 讲述了媒体尤其是电影在形成公众舆论中的要害作用。 这部影片是经过多年的调查、研究、文字资料、筛选、访谈，一些是记录下的、一些是从学习中得知，并了解后充分展开的结果。演员、思想家、制片人、导演、教授影评人通过讨论，建立起一个破碎而不完整的叙事，所以得出的只是过程而不是最终的结果。