An Italian woman who has not heard from her daughter for a while travels to London, where the daughter is living, and is shocked to be confronted with the young woman's world. During the brief days they spend together, the women come to acknowledge the insurmountable differences that exist between them despite the love they share.

Reports of a weeping Madonna in Italy reach Las Vegas, where blackjack dealer Maggie has just learnt she has only weeks to live. With a massive leap of faith she convinces herself that seeing the Madonna with her own eyes could lead to her salvation, and travels to Europe to find it. Hitching through Italy, she meets pianist Mike, who is also en route to what he believes could be a life-changing event - a performance at the Barbarina concert in Naples.

One of Werner Schroeter's most important and inventive works, this threadbare evocation of Jean Genet's notorious Querelle depicts the erotic adventures of two sailors through the world's seaports in the manner of a cut-rate silent movie.

1977 film by Daniel Schmid

1978 film by Sofia Scandurra

1972 film by Roger Vadim

Ganz Wien träumt von der Liebe. In welch' facettenreicher Art und Weise sich dieser Traum gestalten kann sieht man bei Emma, Alfred, Marie, Karl, Leokardia, Franz und ihren Partnern, die sehnsuchtsvoll nach Liebe dürsten. Wie es der Zufall will, kreuzen sich ihre Wege.

Three young female prisoners become friends while stranded in a provincial train station.

Over 30 filmmakers and friends of Strand Releasing have come together to honor the company’s indelible contribution to independent cinema over the past thirty years. The participating filmmakers have each created a short film for the project, all shot on iPhones.

A very strong women's movie - defending strong feminist principles of the 70'ties - used as decor for the portrait of a touching lesbian love story (based on actual events

An apocalyptic vision of man after a cosmic catastrophe, this film is a terrifying metaphor of a dehumanized future. The Brazilian Cinema Novo, German expressionism of the twenties, and the ideologically motivated ‘cruelty’ of a Buñuel come together in this ferocious work of a French theatre collective – an ambitious, almost completely successful example of visual cinema at its best.