Using a mix of Hollywood aesthetics with documentary strategies, the film follows a young indigenous girl from the Xingu National Park to São Paulo, where she falls in love with a robot that also happens to be a stand-up comedian. This strange story mixes the anthropology of humor, indigenous communities, and artificial intelligence.

Set in a flooded and burning digital wasteland, ghosts argue about genetic testing, grief, and love.

A delirious sci-fi riff on the Arabian Nights' 'Tale of the Hunchback', that submerges us in a technological dystopia reigned by Dalaya.com, a mega-corporation that forces its employees to 'relax' at company-run medieval reenactments.

两个相互情窦初开的少女去看望重病的奶奶，结果却神奇的掉到了中世纪，见证当时一场对男同性恋穆斯林的宗教审判；而她们的奶奶就是裁判官。 尽管带有荒诞的穿越元素，但导演意图十分深刻。葡萄牙经历过中世纪宗教裁判所和现代法西斯的噩梦统治，政治和思想的高压潜伏于社会意识之中。奶奶在梦境里对异端的残忍，落在小女孩纯洁的眼中，和现实的慈祥形成强烈反差，更像是割开了葡萄牙民族血管中汩汩流淌的原罪。 电影将两代人的分歧归结为遗憾，不得不说十分贴切：深爱着对方，却始终无法接纳对方的世界。

宛如王家衛《春光乍洩》的開場，狀況的瀑布搭配美國歌手妮娜西蒙的旁白，帶出兩位主角的哲學之旅。當前殖民者轉向經濟依存與瓦解的同時，巴西正處於空前的全球經濟優勢，導演關注於巴西與葡國之前複雜且布爾喬亞式的能動性，開拓異國情調、逃避現實、後殖民語境與人類優生學等主題。