1950 film directed by José Luis Sáenz de Heredia

The daughter of a murdered financier works as a jewelry salesperson while she tracks her father's colleagues who plotted against him.

A British commando is on a one-man raid to destroy a bomb factory in Nazi-occupied France. He must enlist the aid of French farmers to complete his mission.

A carefree playboy with an aversion to marriage falls for a lass he meets in the French Alps.

Hans, living in Vienna during the Great Depression, intends to drown himself in the river after losing his livelihood. While there he meets a girl named Anna after pulling her from the river.

During the First World War, before joining a squadron at the front in 1918, Herbillon (Jean-Pierre Aumont) has a liaison with Helene (Annabella), a married woman. The young man discovers that his mistress is none other than the wife of Maury (Charles Vanel), an aviator friend.

A Butler gets elected to the Hungarian parliament where he opposes his master's government.

具有文献风格的序言讲述美国战略情报局为进入敌后方训练特工。当真正的特工到达法国发现秘密V－2火箭库时，一个名为 “莫尔”的德国组织施予入侵欧洲的假情报，德国特工却比组织领导者更胜一筹，最终一场冒险风波血腥而生…

Like Fejos' LONESOME, this film shows a creative imagination combined with an undeveloped story sense and a finite talent. The events in the simple plot are telegraphed, repeated, and told very slowly. Poor Marie, hanging out clothes on the line in the front yard at midnight, is offered candy by the fiance of the lady of the house and, presto, comes the dawn. (Presumably the seduction or rape occurred right in the barren front yard, next to the road.) Marie is cast out, and can find little work. Finally, she finds herself at the door of a tavern frequented by prostitutes, facing the ferocious woman who runs the place. She is given a menial job and finds a family in the girls and a mother-figure in the manager. The character of this woman--strong, hard, inexpressive, but compassionate and just--and the actress who plays her, is by far the most complex and interesting aspect of the film. Marie suffers further at the hands of a group of do-gooders, cardboard figures as Fejos' villains tend to be. Finally she goes to a ridiculous, saccharine, kitschy heaven, where she again finds herself washing the floors. It's hard to know just how much Fejos has his tongue in his cheek with this final sequence. In fact, it's hard to pin Fejos down in general. Much of the time he seems simple-minded, even dull, but then he'll come up with an original visual idea or an unexpectedly well-observed moment or character that makes you think he has something after all.
17 November 2001 | by bensonj (New York, NY)

In 1620s France, dreaded swordsman Gil de Berault returns from carrying out a mission for Cardinal Richelieu, and finds the Cardinal worried about growing opposition from the Huguenots in the south. The Cardinal also warns de Berault that dueling has been outlawed, and will henceforth be punishable by death. Gil, however, promptly disobeys the law and is indeed sentenced to death. The Cardinal offers to cancel the sentence if de Berault is able to capture the duke who is organizing plans for an uprising. Gil travels to the duke's castle and is allowed to stay as a guest, but the duke's wife and sister immediately suspect that he is a spy. He and his servant still make good progress, until he falls in love with the duke's sister, which complicates everything.

1935 French film directed by Julien Duvivier