An overzealous usher caught between the fronts of two other litigants against ever-girlfriends. - Humor comedy Viennese provenance with a starring role for Hans Moser.

A nervous private investigator, his bumbling boss, a woman in love, 10,000 Reichsmark and two reversed cases. A crime comedy directed by E. W. Emo.

Hugo Brinkmeyer, a tax consultant, takes his wife Gerda out to the cabaret one evening. There he encounters a potential client, the wealthy businessman Schwidders. A series of mix-ups lead to Hugo being suspected of both incompetence at his job and being unfaithful to his wife.

To escape dreary country life, a count travels to Italy with a friend every year. Instead of the alleged purchase of horses, the reason he gives to his mother as to why he needs to travel to Italy, he spends his time chasing after the ladies.

1956 film by Carl Boese

1935 French-German film directed by Henri Decoin and Karel Lamač

A nostalgic story about life in and around a classic Vienna coffee house. The film is set in Imperial Vienna at the beginning of the twentieth century.

1950 film directed by Fritz Schulz

1950 film by E. W. Emo

1941 film by E. W. Emo

Wien, um 1900. Der sehnlichste Wunsch des Konditormeisters Streußler ist es, seine Tochter Nelly als Studentin an der Universität zu sehen. Mit Hilfe seines berühmten Streuselkuchens gelingt es ihm zwar, alle erdenklichen Helfer für dieses Unterfangen in sein Haus zu locken – doch Nelly hat ganz andere Pläne: Sie ist in den Schornsteinfeger Heinz verliebt, bei dem es sich wiederum ausgerechnet um den Sohn jenes Nachbarn handelt, mit dem Papa Streußler seit Jahren im Streit liegt. Kein Wunder also, dass der grantige Konditor nichts unversucht lässt, um die Beziehung zu verhindern.

The confrontation between two women - a choreographer of a successful troupe and a prima ballerina. Stung by the news of her upcoming dismissal, the prima begins to scheme..

Vienna 1905: After a carnival party the famous painter Heidenick draws his otherwise engaged girlfriend Anita Helfer with very few clothes on, only blurs her face. The image makes it into the newspaper the next day - but since he can't tell the model's name without offending her influential fiancée, he comes up with the fictional name Leopoldine Dur. Unfortunately there is a secretary with that name, who now gets into the focus of high society - and into Heidenick's, much to Anita's anger.