A good example of the clever light comedy Thanhouser produced for its Falstaff label, while other studios cranked out broad slapstick comedies. Harry Benham and Mignon Anderson were versatile and popular Thanhouser stars, here showing considerable skill in light comedy, a genre that invites plenty of satirical social observation such as the burgeoning beauty-salon industry here. Cinema technique shows much more intricate editing and freer use of closeups than just a year or two earlier.

Following a bright wandering star, three magi from the East travel to Bethlehem of Judea to meet a very special newborn baby. Meanwhile, King Herod, driven by a hideous prophecy, orders him to be found and murdered.

An electric current accidentally brings a female mummy back to life with decidedly romantic inclinations, much to the surprise of a young Egyptologist and his less than understanding fiancée. This film is presumed lost.

With The Old Curiosity Shop and David Copperfield, both released in 1911, and Nicholas Nickleby in 1912, Thanhouser established itself as producer of the best Dickens adaptations in American film.

The ghost of a selfish, inconsiderate woman must make up for her past transgressions by making sure that her descendant marries the man who is right for her.