Ils nous collent à la peau et à l’âme, nos vêtements. Nous croyons les acheter c’est eux qui nous possèdent. Attention ! ces chiffons sont des traitres : loin de nous habiller ils mettent à nu nos complexes, nos humeurs… Accrochés à leurs cintres, à nos mémoires aussi, ils exercent sur nous une dictature sournoise. Blottis, serrés les uns contre les autres, ils construisent dans nos placards un rempart contre l’oubli. Souvent tachés pour l’éternité d’encre ou de groseille, imprégnés de parfum, de larmes quelquefois, empilés ou bordéliques sur nos étagères, ils restent liés pour toujours aux chapitres heureux ou malheureux de notre vie. C’est à travers l’évocation de leur garde robe que Gigi, Eve, Marie, Nora, Françoise, Amanda, Lisa et les autres évoquent le passé, les rendez-vous manqués et ceux qui ont changé leur vie, les joies et les révoltes de l’enfance, les fous rires, les déceptions, les drames, les fêtes et les espoirs aussi…

In a sordid account of mutual charity, an alcoholic doctor tries to make a captive heroin addict kick her self-destructive behavior — and vice-versa.

Benvenuto Cellini knows no obstacles when it comes to creating a work of art or conquering the heart of a woman.

Given up for dead three years ago in a plane crash in the Amazon rainforest, a young woman arrives in Paris to find her eminent ethnologist husband. She learns of his death in obscure circumstances, having remarried in the meantime. She sets out to unravel the mystery surrounding her husband's death.

Madame is running a high class escort (and prostitution) service. She wants to quit the business as soon as she makes enough money to make her dreams come true. However, the relationship with her girls is deteriorating.

A young woman joins an exclusive health clinic and discovers that the town is populated almost entirely by women, and they have surprising intentions for any male tourists who visit.

Although he is in his thirties, Orlando still feels like a child. He is terrified of the outside world and is stuck in an obsessive relationship with his mother.

Nine short films about love.

Guillaume de Burlador is a private tutor who hits a low point sufficiently severe for him to contemplate a somewhat theatrical suicide. Instead he is taken off by flying boat to a mad French colonial possession bedecked by mad servants and crazy decor. Three educated and rather gorgeous women live there, and they hire him to tutor a young teenager, but more with plans to seduce him in mind.

Mino and Lello, two sons of a worker wrongly accused of murder, try to find out evidence of his innocence and begin to investigate mafia business in Torino.

2010 film by Alexandre Arcady

En 1913 sur la côte normande, Fanny Villatte, jeune femme passionnée, impatiente de vivre et d'aimer, renoue connaissance avec Marcel et Raoul Deccourt. Mais la guerre éclate, bouleversant leur destin...

Following the May 1968 civil unrest in France, two theater groups rehearse plays by Aeschylus while two solitary individuals wander the Parisian streets hustling the populace for cash.

In 1830s France, a virtuous widow falls for a self-destructive debauchee obsessed with death. Initial resistance gives way to a desperate and cynical romance.

1963 film by Gilles Grangier

Vincent is the victim of an assassination attempt carried out by a young woman who wants to avenge her sister. Albert, the childhood friend of Vincent, wants to help and begins to investigate the woman, but he realizes that Vincent is perhaps not the person he seems to be.

1986 film by Jean-Claude Guiguet

卢斯和于利斯彼此相爱。他们的生活幸福美满，住在海边儿，开了一家小小的兽医诊所。卢斯正在期待宝宝的降生——未来看起来那么美好，至少最初夫妇俩是这样认为的。但是，当宝宝罗斯降生，事情脱离了计划轨道。宝宝持续哭闹，让卢斯束手无策。为什么宝宝不停地哭闹？她想要提醒卢斯注意什么吗？在这个小小家庭中是否隐藏着危险？卢斯不能感知宝宝哭闹的原因，但她将从零开始，学着去关爱她的宝宝……

A rich industrialist is brutally kidnapped. While he physically and mentally degenerates in imprisonment, the kidnappers, police and the board of the company of which he is director negotiate about the ransom of 50 million euro.

The movie is to say the least boring and long. The story idea is very interesting, Franco Nero plays a director whose last film foreseen the murder of a supreme judge. It is the old question of propaganda cinema, is it really effecting and makes a difference. But as the story evolves we meet so many character's and politician, that it is getting confusing at times and misses the point. Franco Nero is charming as usually but even his passionate acting could not lift this movie from his problems.