Kurt, who suffers from an incurable disease, gets obsessed with the idea of freeing himself from his sick body - at any price.

2015 film by Dominik Hartl

Fourteen-year-old Jeanne has lived in a farm commune since she was two years old. Her mother and father live in city communes and rarely visit. This is one of the commandments given by Otto, who rules the commune: children are to grow up without parents. Knowing nothing else, Jeanne enjoys her outdoor life, surrounded by lots of other children, until she falls in love with 16-year-old Jean and her childhood paradise begins to fall apart.

2019 television film directed by Wolfgang Murnberger

Vienna, the 1950s. A childhood captured on 8mm film, documented by thirteen-year-old Johanna.

When Liv moves to London, she meets the mysterious Henry and his group of friends, who pull her into the enthralling world of dream-travel. She and her newfound band of dream-wanderers conduct a ritual to make their biggest dream come true, but it demands the gravest sacrifice.

Somewhere in Central Europe, perhaps in the vicinity of Vienna, in the near future. Ten-year-old Elli is an android, as we soon learn. She takes shape through programming and this turns her into a fantasy figure. Firstly for a man she calls “Daddy” with whom she lies by the pool and for whom she dresses up in the house at the edge of the forest. Elli is the vessel for his memories, which mean nothing to her, but everything to him. One day he runs after a strange echo and gets lost in the darkness while Elli, who follows him, is picked up by strangers. A new identity awaits her, a new ghostly existence – as a blank screen onto which others can project their loss of the paradise that is childhood. Austria’s new voice for the nexus between desire and the abyss, fear and mystery, feeling and emptiness is Sandra Wollner. As in Das unmögliche Bild, in her provocative second feature film she develops the plot from a complex basic constellation (not the other way around) and reconstructs families that never existed. And so the machine becomes a mirror of human emotion, and the film a captivating ladder into virtual and psychological realities.