The story has been adapted from the Sir Arthur Wing Pinero play. The title means nothing more than the mid-channel of married life, through a character in the feature likening the roughness of the English channel in the center of the trip across from London to Paris to the woes married folks meet in their wedded life.

Montana and sidekick Pancho hire on at the Lopez rancho to fight Daggett and his outlaw gang. But Lopez's foreman Barnes is one of Daggett's men and he frames Montana for murder.

Dolly Havens, a small-town girl with big-town ambitions that are larger than her talents, hooks up with Johnny Storm, a vaudeville performer, whose talents make the act a success. Dolly, thinking she is the reason, meets a handsome leading man and joins up with him but, before long, he discovers 'she ain't a trouper' and she is soon performing with 4th-class acts in Tank Town America.

Re-edited feature version of serial The Phantom Empire (1935). Singer Gene Autry discovers a race of advanced humans living beneath the earth.

Profiteer Alexander Stiles lays claim to a million acres of range in the Pecos River country, but a rancher named Claybor stands in his way as he has already claimed the water-rich location of Sweetwater as his own.

A phony spiritualist hypnotizes the daughter of a wealthy banker in a scheme to swindle the banker out of his money. A reporter investigating the swami discovers the plot, determines to expose it.

According to this Lois Weber production, men don't really seem to know what they want at all -- first Frank (J. Frank Glendon) wants to be an inventor. Then he wants to marry his childhood sweetheart, Hallie (the lovely Claire Windsor). Then he wants children. Then, when his inventions bring him financial success, he becomes restless, so he takes up with another woman. Eventually he figures out that the woman's reputation is less than squeaky clean, so he wants his wife back.