The second cartoon by Jiri Trnka that was a sensation at the festival in Cannes in 1946 when it defeated the world animation elite of the time. It is a musical fairy-tale based on a famous folk story about animals that deterred thieves.

The passion for high speed can nowadays almost be seen in the new-born. The film shows that such passion, if not controlled, is self-destructing and even suicidal. At least this is the way Trnka presents it in this satiric story. —kratkyfilm.cz

Two mischievous frost spirits make things chilly for a pair of travelers in this wintry comic folktale.

Taken from Boccaccio's Decameron, this lovely puppet film tells the bawdy story of the beautiful young Venetian lady who confesses her sinful passion for the Archangel Gabriel to a lustful monk, who promptly impersonates him in her bedroom with predictable results. Amidst the film's ribaldry, the hypocrisy and false piety of the monk are mercilessly mocked.

Trnka’s sci-fi vision of the future in which machines and robots try to substitute themselves into the most beautiful human relationships. A cybernetic robot is supposed to substitute for the loving grandmother of a little girl. The wise grandmother, however, comes back and the girl finds the warmth of her grandmother’s loving arms again. Trnka’s artistic ideas in this film can be described as both poetically fragile and dramatically cautionary.

Hurvinek cannot go to a circus because he injured himself when sliding down the stair rail. He daydreams that he is an acrobat riding a scooter and an animal-trainer taming beasts. (MUBI)