Marseille, today. Trapped in the rubble of a collapsing building, Malik, a young Comorian, manages to escape but is arrested for drug possession. In prison, where a war between rival gangs is raging, he must quickly find allies. Massoud, a real estate developer with more or less legal activities, offers him protection in exchange for his loyalty. But Malik soon realizes that he is merely a pawn in Massoud’s game and that he will have to seize power to survive.

Sara and Adam, and their two-year-old daughter, arrive in Belgium illegally, hoping to finally make their way on to England. Crammed together with other hopefuls in the back of a van, fear begins to prevail. Redouane has been a policeman for 20 years. Every night, he and his team hunt down smugglers throughout the busy motorway network. That night, when he and his partner try to force a van suspected of transporting migrants to stop, everything changes.

After seven years abroad in Italy, Tarek returns home to Tunisia, he meets Khaled, who is everything he isn't: successful, handsome, and helpful..

After losing her home and all that she's known, a widowed Turkish woman finds herself in an unexpected love affair with a young Syrian refugee in Istanbul.

The life of a Middle-East family of immigrants in Europe. The father carries the heavy burden of banishment. To rescue his culture, his traditions, is mandatory, so he remains faithful to his past, his origins, to himself. His daughter is now a grown-up. He worries and wishes she would get married soon. The young woman leaves the family home every morning, but changes her clothes in a bar before she goes to work, her hair down. She puzzles the young boss of the company that employs her. He fell in love and is ready to do anything to marry her. But the young woman keeps her freedom of choice, just like her mother had done with her father. She won’t have time to introduce the only man for her to her parents. A friend of her father’s catches them. In a cafe.

Un jeune homme tente de convaincre une voisine de l'aider à dissimuler le corps de sa compagne, décédée d'un tragique accident dans leur appartement.

Mehdi, a qualified robber, and Liana, an apprentice thief, get involved in a turf war between drug dealers, and have to collaborate in order to save their loved ones.

Seeking refuge from her Islamist radical brother whom she informed on, a young woman arrives in France illegally following Tunisia’s Jasmine Revolution and discovers a new world of both hope and danger, in the third feature from writer-director Raja Amari (Satin Rouge, Buried Secrets).

2025 film by Abdellatif Kechiche

In 2005, in a French suburb, a drug bust shatters the network of a family of drug dealers. Driss, a brilliant student, is forced to take over the family business, setting off on a downward spiral. Facing him is William, an ambitious and idealistic young cop who will do everything in his power to stop him. Their relentless struggle will take them from the suburbs to the Ourika valley.

2004 film by Robert Salis

保罗·安德烈亚斯·布雷特纳上校在战争中被迫穿越阿尔及利亚，寻找他的前高级军官：西蒙·德里涅雷斯上校，后者在奥雷斯·内门查失踪，他可能成为叛军手中的一个火药桶

书商凯米儿（Catherine Deneuve 凯瑟琳•德纳芙 饰）和丈夫弗朗西斯（Guy Marchand 饰）离异，两人分别抚养着一双儿女。某夜儿子马卓尔（Adrien Jolivet 饰）与好友弗兰克（Thomas Dumerchez 饰）外出游玩，弗兰克驾驶的汽车撞倒树上，导致马卓尔重伤身亡。 痛失爱子的凯米儿生活失去重心，她将舐犊之情慢慢移到弗兰克的身上，帮助他准备考试、提供兼职、和他一同听摇滚演唱会……然两人心中仍有这一份痛苦不堪、难以化开的心结。又一个夜晚，凯米儿和弗兰克来到车祸现场，纵火焚烧了车子撞到的那棵树。不久弗兰克即因纵火从凯米儿的生活中消失，憔悴的女人再次失去依靠……

Maya is living the ultimate fashionistas dream: she is working as a stylist for one of the French trend setters, in the capital of haute-couture: Paris. One of the IT girls of fashion, shes following her dreams until one night, when her life takes a sudden turn: shes being deported back to Morocco, after being stopped for over speeding, because her Visa expired some time ago. So in no more than 24 hours, shes deported back to her family and original country. The strong cultural shock and the judgmental differences are pushing the woman to obtain back her place in the city of dreams and her dreams, no matter the costs. But that doesn't mean she will have to return alone, as she finds other things also among her way back to the city.

摩洛哥移民的后代萨米尔和法国青年里克是形影不离的好朋友，但里克不幸身亡，萨米尔痛心疾首，变得沉默寡言，因为刻骨铭心的友谊而寝食难安。虽然他已经融入了西方社会，但穆斯林的价值观仍然影响着他。后来他认识了肯拉多斯城里的三个年轻人：吉米、茱莉和昆丹。吉米是个出身工人家庭的健壮男孩，没有受过高等教育，但是他聪明伶俐，最讲求实际，对未来不抱任何奢望。他的性格常常狂燥不安。喜欢将摩托车的速度的开到最高档。茱莉是殷实之家的娇娇女，她醉心于绝对论，认为青春年华全是上帝的恩赐。昆丹是茱莉的男友，也是吉米的好朋友。昆丹虽然也出于工人家庭，却以发表篇小说作为提高自己社会地位的方式。他曾经同吉米情同手足，在认识萨米尔后则更加喜欢后者的特殊气质。他显得自私和野心勃勃，从令人好感到令人反感。他利用萨米尔，但为了显示高尚和纯洁又拒绝承认内心深处对萨米尔的恋情。在社会危机的政治性背景中，影片展示出了青年人的经历、追求、心态、友谊和背叛。 成长、出柜，一段法国年轻人间痛苦的友谊——《全速》它发掘了法国不同民族少年友谊之间许多复杂的层面。这部不到90分钟的影片揭开了不同具有性格，对立观点的外省人和巴黎人的关系，将他们在种族意识和性取向问题上存在的种种模糊心态暴露无遗。在结尾，Morel告诉我们，在异性恋、双性恋和同性恋之间以及种族主义和它的受害者之间，其实存在着一个和平的地段。 《全速》是加伊尔·莫埃（Gael Morel）演而优则导的处女作。他将在《野芦苇》中与自己合作的艾洛第·布歇（Elodie Bouchez）和斯特法诺·里多（Stephane Rideau）一起拉进了这部电影。这个年轻的级具天赋的阵容将吸引人们开思考和探索这部意味深奥的电影。影片的几个角色身上被分散地注入了加伊尔·莫埃自己的一些经历，比如写小说，移居巴黎等等，但是他又不认为这部电影是他的自传。这显然不是一部针对主流年轻观众市场的青春片，而且影片短暂，在叙述方面总是给人意犹未尽的感觉，但已经能够看出莫埃的良苦用心以及法国电影未来的希望。

2019 film by Abdellatif Kechiche

2017 film by Abdellatif Kechiche

Malik has a lot on his plate when he returns home to Tunisia after living in France. He's processing his father's death, he can't come out to his mother, and his childhood anxieties have resurfaced. But all of Malik's problems seem to fade away when he falls for Bilal, the dreamy houseboy at his mother's bourgeois estate.

1999 film by François Ozon

For the originality of its content and manner of telling, Gael Morel's "Le Clan" deserves wide art-house distribution. It does, however, need a better English title. Life may be difficult for people in the film, but they are not slaves and make choices that attempt to better their situations, if not always happily. Why not simply "A Clan," since nobody remembers Griffith's second title for "Birth of a Nation," or "Brothers"? Two boys practice a North African "slave dance," but for sport and release. The tightly edited movie can be thought of as short stories about three brothers and their father. With rapid shifts we keep learning new things about the characters. Sometimes one wonders what went on during a gap, but usually one can figure it out and the dialogue that would have worked it through would have been sentimental and out of character. One shot of the brothers huddled together watched by their father is difficult to justify realistically, but it works as a symbolic representation. If meanwhile one wants everything spelled out and sweetened, there is the Québec film "C.R.A.Z.Y." The brothers do maintain enormous familiarity. The youngest one, very drunk, is helped by a brother to vomit. If that's shocking, we have to take it as a fact of the milieu. The banlieux of France have recently been in the news. "Le Clan" goes much further with stories that lead one to care for the characters in the variety of their difficult situations of social derogation, dangerous labour, sexuality, and self-esteem.