Bob Norton, seeking his brother's killer, tangles with outlaws, wild horses, and a "wild" boy.

In the Depression, Pete and Sidney are good kids, working hard, giving money to their parents, and engaged for three years while they save to get married. Each has a selfish mother: Sydney's is cold, Pete's is clingy. Sidney's mother is looking for her own happiness, no matter how much that search harms her daughter and long-suffering husband; and, the longer the engagement lingers, the more pressure Pete's mom puts on Sidney to break it off and set her son free. "After Tomorrow" is Pete and Sidney's favorite song, but with illness, poverty, and temptation: will that good day ever come?

Prizefighter Jimmy Nolan, facing an opportunity to get a championship fight, is knocked out when he sustains what is apparently a permanent injury to his arm. From there, Nolan's path leads downhill. He is drawn into a romance with a nightclub entertainer, then is framed on a theft charge by a jealous suitor. After his prison term, Nolan makes a spectacular comeback in a fight which proves his courage and integrity, while disproving the fallacy about the old sports adage that "they never come back."

In this Pete Smith Specialty short, a friendly do-gooder's good deeds backfire.

A woman finds herself unwillingly mixed up in a series of murders. At the behest of the district attorney, private detective Duncan MacLain (Kent Taylor) investigates the probability of corruption in high government circles.