In a snowy landscape, the camera pulls back slowly to reveal Yoko Ono and John Lennon in the square of a little rustic town; it continues retreating and simultaneously rising into the sky,mounted on a balloon that remains invisible throughout. Dogs bark, there are voices. The surroundings of the town come into view, then a panorama of the entire region; suddenly, blankness for five minutes -- an unbearably long period in the cinema. When all hope is gone, the screen bursts into a pink explosion of sky, sun, and cloud tops; the camera had risen (in real, not screen time) through an enormous cloud band, and had passed, by means of minimal art, from separateness to oneness with theworld, "rising into heaven" in a beautifully romantic, purely visual metaphor of spiritual ascension. ---- Amos Vogel “Film as asubversive art”

Ono’s work related destruction to interpersonal, often intimate, human relations. This element was particularly thought-provoking in ‹Cut Piece›, one of many actions she did as DIAS [Destruction in Art Symposium]. Ono had first done the performance in 1964, in Japan, and again at Carnegie Hall, in New York, in 1965. Ono sat motionless on the stage after inviting the audience to come up and cut away her clothing, covering her breasts at the moemnt of unbosoming. ‹Cut Piece› entailed a disrobing, a denouement of the reciprocity between exhibitionism and scopic desires, between victim and assailant, between sadist and masochist: and, as a heterosexual herselft, Ono unveiled the gendered relationship of male and female subjects as objects for each other. (source: Kristine Stiles,«Uncorrupted Joy: International Art Actions,» in: Out of Actions: between performance and the object, 1949–1979, Paul Schimmel (ed.), MoCA Los Angeles, New York/London, 1998, p. 278.)

The film starts in a situation where match is about to be lit. Everything is ready for the action to start. After the fingers who hold the match make a move, viewers expect to see a carefully canned initial flames erupting from the end of the match but they should prepare for disappointment: the fingers move the match out off the screen and the most interesting scene is, in a way, 'omitted' from the film. The fingers will return to the screen with the match and the fire is seen consuming the fuel in a gentle fashion.

The personal film archives of Yoko Ono were utilized for this feature-length documentary on the life of John Lennon. Predictably, it downplays Lennon's association with the Beatles and concentrates on his years with Ono. The film spends a lot of time recounting Lennon's anti-war activities, highlighted by a confrontation on a talk show hosted by conservative cartoonist Al Capp. The title of the documentary is, of course, taken from Lennon's idyllic ballad about a world free of hatred and discord. Imagine: John Lennon is a reverent but ultimately depressing chronicle of an artist who died the untimeliest of deaths.

Also known as Walden, Jonas Mekas’s first diary film is a six-reel chronicle of his life in 1960s New York, interweaving moments with family, friends, lovers, and artistic idols. Blending everyday encounters with portraits of the avant-garde art scene, it forms an epic, personal meditation on community, creativity, and the passage of time.

A surreal, half-fiction, half real life footage of a day in the life of John lennon and Yoko Ono, composed to music from John's historic 'Imagine' album and Yoko's 'Fly'.

The biography of former Beatle, John Lennon—narrated by Lennon himself—with extensive material from Yoko Ono's personal collection, previously unseen footage from Lennon's private archives, and interviews with David Bowie, his first wife Cynthia, second wife Yoko Ono and sons Julian and Sean.

记录的是披头士如何录制出经典名曲&专辑《Let It Be》。基于长达55小时的此前未曝光录像，包括披头士在录音室中制作的少见画面，拍摄时间为1969年1月2日-31日。1970年5月，《Let It Be》专辑发行，而当时乐队刚分崩离析。录像高潮为披头士那场著名演出——在伦敦萨维尔街苹果唱片公司总部旧址屋顶上的表演。

In the future, an outbreak of canine flu leads the mayor of a Japanese city to banish all dogs to an island used as a garbage dump. The outcasts must soon embark on an epic journey when a 12-year-old boy arrives on the island to find his beloved pet.