1973 film by Yann Le Masson

A collection of three short “video haikus” by Chris Marker. Yanka / Tchaika observes the Seine beneath a bridge; Owl Gets in Your Eyes features Catherine Belkhodja with an owl superimposed in flight; and Petite Ceinture pays homage to the Lumière brothers by filming empty train tracks along Paris’s disused railway.

1957 film by Paul Paviot

Some months after the fall of the Berlin wall, during the time of federal elections in Germany in 1990, Chris Marker shot this passionate documentary, reflecting the state of the place and its spirit with remarkable acuity.

"Le train en marche", gives us an intimate insight of Medvedkin's experience with the CineTrain in Russia during the 1930's. Marker achieves once more to delight the audience of this short documentary through a delicate selection of pictures, music and contents. It is mentioned in the movie that of all arts, cinema is the most important. Even though this claiming may be questionable it is undoubtedly that cinema can be much more than a simple element of entertainment becoming an effective tool of education when in the right hands. The movie also refreshingly reminds us of how youth and romanticism can act as the main strength for those who believe that a different/better world is possible.

1959 film directed by William Klein

After a military coup d'état, political dissidents seek refuge in a foreign embassy. Over the next few days, they are joined by more and more people who are fleeing the military assault: teachers, students, intellectuals, artists, and politicians.

Documentary about economic development in Cuba, particularly the effort to boost output of sugar cane. This film is made from a compilation of newsreel footage from the Cuban film institute and from Santiago Alvarez's film Despegue a las 18.00 (Departure 18:00).

Made shortly after the death of Brazilian revolutionary Carlos Marighella, this documentary reconstructs his life and political struggle through interviews with friends and comrades. It examines his role in the resistance against Brazil’s military dictatorship and his death in a 1969 police ambush.

In 1962 Joris Ivens was invited to Chile for teaching and filmmaking. Together with students he made …A Valparaíso, one of his most poetic films. Contrasting the prestigious history of the seaport with the present the film sketches a portrait of the city, built on 42 hills, with its wealth and poverty, its daily life on the streets, the stairs, the rack railways and in the bars. Although the port has lost its importance, the rich past is still present in the impoverished city. The film echoes this ambiguous situation in its dialectical poetic style, interweaving the daily life reality (of 1963) with the history of the city and changing from black and white to colour, finally leaving us with hopeful perspective for the children who are playing on the stairs and hills of this beautiful town.

1952 film by Chris Marker

On October 21, 1967, over 100,000 protestors gathered in Washington, D.C., for the Mobilization to End the War in Vietnam. It was the largest protest gathering yet, and it brought together a wide cross-section of liberals, radicals, hippies, and Yippies. Che Guevara had been killed in Bolivia only two weeks previously, and, for many, it was the transition from simply marching against the war, to taking direct action to try to stop the 'American war machine.' Norman Mailer wrote about the events in Armies of the Night. French filmmaker Chris Marker, leading a team of filmmakers, was also there.

Koumiko Muraoka, a young Japanese woman born in Manchuria and educated in France, wanders through Tokyo while she reflects on identity, memory, and what it means to be Japanese in a rapidly changing world.

A series of 41 documentary shorts, directed (without credit) by several famous French filmmakers and each running between two and four minutes. Each "tract" espouses a leftist political viewpoint through the filmed depiction of real-life events, including workers' strikes and the events of Paris in May '68.

Composed entirely of still photographs taken by Chris Marker across 26 countries, If I Had Four Dromedaries presents a dialogue between three voices reflecting on the meaning of images and travel. Through this photo-essay form, Marker explores the relationship between still and moving images and the act of seeing itself.

One day, at the stroke of evening, on Emeryville beach in San Francisco, where unidentified artists, leave, without anyone knowing, sculptures manufactured with items that have washed ashore from the sea. This includes a short introduction by arte, approx. 1:12 secs long, with the film being around 6 minutes itself....there are 2 intertitles in the film itself, giving the latitudanal and longitudanal co-ordinates of the beach. No subtitles required, but ill work on some anyways.

1961 film by Chris Marker

This documentary tells the story of film director Aleksandr Medvedkin, throughout his life a sincere believer in communism

《雕像也会死亡》（Les statues meurent aussi，阿兰·雷乃、克里斯·马尔凯，1953年出品，27分钟）尖锐地批评了西方殖民主义对非洲传统艺术的戕害以及自称热爱非洲艺术的上等阶层的贪婪与伪善。本片的主角是来自黑非洲的人物雕像、面具和其他非洲艺术品，但是它们的演出场所并非黑人的故乡，而是白人的欧洲，艺术品市场和艺术品拍卖会是它们频频出没和滞留的中转地。这些本来被非洲部族用来抵抗死亡的面具和雕像，如今却呆在博物馆的橱窗里静静地死去。此时，画外音告诉我们：“当人死去的时候，他便进入了历史；当这些雕像死去的时候，它们进入了艺术；这种关于死亡的学问，我们最后称之为文化。”由于本片具有鲜明而强烈的社会批判意识，自拍竣之日起即遭到法国政府禁映，直到1963年才解禁。本片由长于剪辑的阿兰·雷乃操刀剪辑，由强于写作的克里斯·马尔凯撰写解说，充分发挥了两人各自的强项，可谓强强合作的结晶。 This collaborative film, banned for more than a decade by French censors as an attack on French colonialism (and now available only in shortened form), is a deeply felt study of African art and the decline it underwent as a result of its contact with Western civilization. Marker's characteristically witty and thoughtful commentary is combined with images of a stark formal beauty in this passionate outcry against the fate of an art that was once integral to communal life but became debased as it fell victim to the demands of another culture.

1977 film by Chris Marker