German Laura follows her husband and moves to Finland with their baby girl. Her days at home are lonely as her husband is constantly working.

The approaching baptism of his ex-wife's new baby destroys Antti's ability to function and puts him in catatonic state. Tuomas and Nippe take action to cheer him up and decide to take him on a singles cruise.

A ravishing story about little Pete and his survival and growth in the gray area between love and fear.

Grump's life follows the same familiar routines: spring is here and the early potato harvest is ripening. But Grump crashes his beloved Ford Escort and the car has to be scrapped. A new, modern vehicle is no match for quality and the nearest Escort, a 1972 model, can be found in Germany. When the Grumps's sons refuse to help, he must travel to Germany alone.

Antti Pasanen juggles between taking care of Paavo, his work and personal life, until Enni has an accident and he has two kids to take care of.

The Grump prepares to die – everything is done and his wife is dead. He’s making his own coffin when the life walks in, all of a sudden. The granddaughter needs the stubbornness and wisdom of her grandpa. In return, The Grump gets a meaning for his life – and a big secret.

A stubbornly traditional eighty-year-old farmer - whose social attitudes verge on the prehistoric - raises hell when he is forced to move in with his sadsack, city-dwelling son and domineering daughter-in-law.

The film follows Sanna, who sets out to document the countless ways there are to ruin a marriage for her doctoral thesis.

Stigu and Ella have a just-sex relationship. Stigu is secretly in love but settles for what he can get because Ella wants nothing more. Until they find themselves in a same work project: designing an advertisement for the Family Federation on sustainable relationships. It seems like mission impossible since Ella doesn't believe in the whole concept and Stigu knows nothing about it.

Finnish nordic noir television series

”Kohta 18” (Almost 18), director and writer Maarit Lalli’s first feature film, has received positive responses from critics and audiences. The film tells five boys’ distinct yet interconnected stories. The common denominator for the stories is not only the boys’ friendship, but the struggles they face with their parents and themselves, while they are pursuing independence. In essence the movie is about youth as well as friend and family relationships. The film manages to depict the lives of these five boys in Helsinki from a fresh perspective – the main characters are not troubled or extraordinary youths, but instead quite normal young men with everyday problems. The actors (even though they are amateurs) convince in their roles making their characters easily relatable, eliciting empathy from viewers. 《即将18 》是本片导演及编剧Maarit Lalli的首部故事片。迄今为止该片已经得到了电影评论家与观众的不少好评。该片讲述了五个男孩独特的却又互相关联的故事。将这些故事融合到电影中的是他们在追求独立时彼此间的兄弟情以及面对父母与自我时的奋斗挣扎。从本质上来说，这是一部关于青春、友情与亲情的电影。 该片成功地以全新的角度描绘了五位赫尔辛基男孩的生活：故事的主人公不是那些到处制造麻烦或者天赋异禀的年轻人，而是那些普通青年，他们遇到的是生活中常有的破事儿。通过演员们（虽然他们不是专业演员）的演绎，观众很容易产生共鸣，并能感同身受。

A stubbornly traditional eighty-year-old farmer - whose social attitudes verge on the prehistoric - raises hell when he is forced to move in with his sadsack, city-dwelling son and domineering daughter-in-law.

鋼琴家提摩事業有成，但不懂得生活，導致妻子帶著孩子離開他。他的父親在消失35年後忽然出現，要和他一起來趟公路旅行，父子關係重新建立

The Grump prepares to die – everything is done and his wife is dead. He’s making his own coffin when the life walks in, all of a sudden. The granddaughter needs the stubbornness and wisdom of her grandpa. In return, The Grump gets a meaning for his life – and a big secret.