巴斯德是狂犬病疫苗的发明者……但是他是如何实现的呢？为何他在孩子身上进行第一个试验？日复一日，他注射的是什么？ 这个史无前例的人类试验在关键的几周内进行，通过和巴斯德的密切接触，我们发现科学家不为人知的一面：一个铁汉柔情的男人，被怀疑而不堪重负，一个革命家，努力使反对者接纳在当时看来难以置信的发明。而事实是巴斯德的发现打开了现代医学之路。 通过科学家和一个小男孩的相遇，影片讲述了科学研究的希望和痛苦，从第一批活微生物到巴斯德灭菌法 ，从无菌到传染机制，直到发明首个疫苗。孩子能继续活下去吗？巴斯德是否能开办研究所，继续他的科研工作？ 诗歌、悬念和情感的方式在影片中采用：在虚拟的微生物迷人影像世界中，它们犹如一连串致命的无形杀手，也正因为我们看不见所以更可怕……

Arnaud Marescot has a penchant to steal small objects. When his compulsive fixation targets Emilie, and he thinks he's in control over her, it's already too late to realize he's fallen into a deadly trap.

Maïté is married to Vincent who has just been sentenced to seven years in prison. The only intimacy left to them lies in the prison’s visiting rooms. Twice a week, she picks up his laundry, washes it, irons it, and brings it back to him, performing this ritual assiduously and meticulously. One day a young man approaches her outside the prison. His name is Jean. He loiters around her and offers her a ride. She hesitates at first, but agrees to his proposition. He becomes her lover. Their moments of pleasure are set in specific places (a field, a car) but remain stolen moments. He will not cross the threshold of her home. Eventually Maïté learns that Jean is actually a warden in the prison, who has, moreover, offered her husband his protection. Caught between desire and guilt, pleasure and duty, she finds herself trapped in a three-player game, the rules of which none of them really knows.

讲述了伊萨卡岛国王奥德修斯在结束了长达20年的特洛伊战争后回到那片熟悉的领土，结果却发现本属于他的王国遭到了侵略势力的野蛮摧残，在猛如虎豹的敌人面前，他是否能夺回了妻子和儿子以及属于他的国土呢？...... （来自深影字幕组）

Werner Schroeter directed this dark and surreal tale of a man determined to save a lost lover from a grim fate at the hands of a violent mob. The city of Santa Maria is falling into chaos as an armed military faction is poised to take power in a coup d'etat. Ossorio used to call Santa Maria home, and he has returned in its darkest hour to find the woman he loves, hoping to rescue her from the violence that is lurks around the corner. As Ossorio searches for his love, he meets Victoria in a shabby hotel, who in turn introduces him to her father Barcala, who for the right price is willing to take Ossorio and another passenger away on his boat. While Ossorio is willing to pay Barcala what he wants, can he find the mysterious woman before the ship sets sail?

Newly transferred to the bustling port city of Marseille to assist with a crackdown on organized crime, energetic young magistrate Pierre Michel is given a rapid-fire tutorial on the ins and outs of an out-of-control drug trade. Pierre's wildly ambitious mission is to take on the French Connection, a highly organized operation that controls the city's underground heroin economy and is overseen by the notorious —and reputedly untouchable— Gaetan Zampa. Fearless, determined and willing to go the distance, Pierre plunges into an underworld world of insane danger and ruthless criminals.

Amidst the impersonal hubbub of Paris' Orly Airport, strangers meet, secrets are revealed, and sudden intimacies develop in this beautifully observed mosaic of lives in transit. Loosely-linked scenes in the hall of Paris’ Orly airport. A man and a woman, both French but living abroad, meet each other by chance. He has just decided to move back to Paris and she longs to return there. A mother and her almost adult son are going to the funeral of her ex-husband, his father. A young couple is embarking on its first big trip. And a woman reads a letter from the man she has recently left. They are all waiting for their flight. The departure hall is a place of transit. People are between the here and there, between the “not yet” and the “no more”. Schanelec places four couples amid the crowds of waiting passengers; the camera observes them, often from a distance. But their conversations can be heard; the ear is closer than the eye. Intimate islands of dialogue amid hectic activity. The tremendous background noise does them no harm until the music comes and infects the whole room. Cat Power sings “Remember Me”, reinforcing the atmosphere of longing, separation and transitoriness that already lingers in the air. Later, the off-screen monologue of a dying, loving man adds to it. “Love Will Tear Us Apart” – that’s what’s written at the beginning on a record cover. A farewell film.

2005 film by Karin Albou

A divorced teacher suddenly becomes jealous of everyone, including her daughter, friends and neighbors.

After years of estrangement due to difficulties accepting his brother's sexuality, a man diagnosed with a terminal illness decides to reconnect. As the brothers grow closer, their renewed bond starts to alienate their partners, leading to emotional turmoil and strained relationships.

2009 film directed by Jessica Hausner

The film follows the story of three girls in contemporary Paris. One searches for her lost mother since she knows she's adopted. The other has come out of a coma and needs to have a love relationship aside from his mysterious father. The third one is a crook who redeems herself through love. The action is commented by songs and dance routines.