Young lawyer Radu Comșa is confronted with an identity crisis as WWI starts.

In the communist Romania of Nicolae Ceausescu, a young Romanian woman marries a German citizen just to leave the country.

Three sequences which could have formed separate stories are linked together to give a larger perspective on the nature of reality and film. The three episodes are joined together by one film crew at work. In the beginning, the crew is introduced as they juggle their dual roles as State-supported propagandists who laud their government and society, and as private movie makers working on their own film. Next, they are in a restaurant looking for suitable locations to film when the eatery’s owner is induced to wax long and lugubriously on his miserable life. In the last segment, two extras are in the background of a scene, sitting at a table in a restaurant. It slowly becomes apparent to one of them that the man he’s sitting with tortured him more than 40 years ago at a Nazi concentration camp during World War II.

There once was a king (Victor Rebengiuc) which had a glorious beauties daughter (Manuela Harabor). This was in love with a hefty (Adrian Paduraru) and also was coveted by Kite (Mircea Diaconu) that the king wanted to slay him with a formidable weapon that invented: weapon firing back. When the kite takes possession of the weapon, only Superman is able to come HAC and thus to conquer right hand too Beautiful.
"We wanted to make a comedy that go bang in the middle." (Alexander Tatos)

A border town on the Danube, 1944. The town is occupied by the Germans, and there are plenty of collaborators. A number of the young men join the partisans, kill a Serbian, and throw his body into the village, forbidding anyone to bury it. Anastasia refuses to obey the order…