Young lawyer Radu Comșa is confronted with an identity crisis as WWI starts.

In the communist Romania of Nicolae Ceausescu, a young Romanian woman marries a German citizen just to leave the country.

Three sequences which could have formed separate stories are linked together to give a larger perspective on the nature of reality and film. The three episodes are joined together by one film crew at work. In the beginning, the crew is introduced as they juggle their dual roles as State-supported propagandists who laud their government and society, and as private movie makers working on their own film. Next, they are in a restaurant looking for suitable locations to film when the eatery’s owner is induced to wax long and lugubriously on his miserable life. In the last segment, two extras are in the background of a scene, sitting at a table in a restaurant. It slowly becomes apparent to one of them that the man he’s sitting with tortured him more than 40 years ago at a Nazi concentration camp during World War II.

There once was a king (Victor Rebengiuc) which had a glorious beauties daughter (Manuela Harabor). This was in love with a hefty (Adrian Paduraru) and also was coveted by Kite (Mircea Diaconu) that the king wanted to slay him with a formidable weapon that invented: weapon firing back. When the kite takes possession of the weapon, only Superman is able to come HAC and thus to conquer right hand too Beautiful. "We wanted to make a comedy that go bang in the middle." (Alexander Tatos)

The main character, a young surgeon (avid consumer of red apples), excellent professional, inflexible with respect for moral norms, are in a constant struggle with indifference and ignorance of his fellow men, with their littleness of soul, the director of the hospital obtuseness and careerism. Red Apples exactly expresses the conflict between talent, professional dedication, respect the Hippocratic Oath, the protagonist came face to face with mediocrity, sufficiency and careerism of brothers who, at any cost, want to move into professional and social ladder. Rise young doctor Mitica Herod assigned to a provincial hospital, the doctor makes Mitroi prototype capped professional character, to see jeopardized the director of the hospital. Mitica (enthusiastic, charismatic and convincing in the role of actor Mircea Diaconu) makes no compromises in relation to his superior, which always reminds him of his mission, the function they represent. Ignore the so-called "social conveniences" and not compromising in addressing hospital and patients. Well-meaning and lucid, ready for personal sacrifices, he believes that the world has only one real enemy: death, which, unfortunately, it always fails defeat. "I was preoccupied, primarily, grammatical problems of the profession. It is true, perhaps the film has a kind of enthusiasm that I have not found then. I wanted to be a human story and I think it came out as such. and that is true not consider it a merit, but a prerequisite. I never wanted to do "red Apples" true or less true. I did as I felt. "Alexander Tatos

A border town on the Danube, 1944. The town is occupied by the Germans, and there are plenty of collaborators. A number of the young men join the partisans, kill a Serbian, and throw his body into the village, forbidding anyone to bury it. Anastasia refuses to obey the order…