Joseph is a young doctor who returned to his hometown in the Mountain Province to bury his father, an Ifugao chieftain, who was killed during a tribal dispute. While there, he discovers his rich heritage and acquires pride in his being an Ifugao. Though the lure of a career in America remains strong, he is unable to resist the urge to help his village, which has resisted modern medicine and is now in the midst of a pneumonia epidemic and a civil war.

一位勇敢的咖啡师发现自己在两个年轻人之间左右为难——一个是古怪的好男人，另一个是自信的坏男孩——他们都在欺骗她。

A 12-year old Anita falls in love with the new woman in town; years later, a girlhood crush blossoms during the Fiesta of Santa Clara in Obando, Bulacan.

2000 romantic drama film by Olivia M. Lamasan

A fiercely independent and unflinchingly candid woman connected with a women's crisis and survival center has to raise her two kids with different fathers. Her first husband has left her when their career options failed to converge. She is now stuck in an extramarital arrangement with another man who cannot bring himself to respect and commit to their quite unorthodox relationship.

Mang Rudy, the widowed woodcarver, wields an iron hand over his three daughters: the fun-loving but rebellious Grace, the youngest, who goes through the throes of adjusting to married life; the feisty and headstrong Lourdes, the middle daughter, who succumbs to an extra-marital affair; and the subservient and discriminated on eldest, Jess, a lesbian who brings home her girlfriend to take care of the father after he succumbs to a heart attack.

A man appears to a female reporter and claims he is the famous kidnapper that has the world astir and promises to turn himself in if she listens to his story. Though she is suspicious of him, she starts to fall more and more into his story.

塞维利亚家的兄弟姐妹们在家族女家长去世一年后，重聚于祖宅。原本只是例行公事的聚会，却迅速演变成一场充满真相、怨恨和欢笑的风暴，也暴露了维系他们之间脆弱的纽带。

故事发生在对“婚姻解离”有着独特法律与社会规范的菲律宾。一对感情走到尽头、互相折磨的夫妻，为了彻底放手，决定踏上繁琐而艰难的“解婚”程序。然而，在面对家庭与亲友的阻挠、复杂的法律手续以及两人过往回忆的反复袭来时，这场本意是为了互相解脱的“分离大作战”，却意外演变成了一场重新审视爱、原谅与自我救赎的心灵之旅。

Ador is a well known and respected CIDG Police Official, with a loving family as his support. Cardo, on the other hand, loves the solitude of the mountains in the province as a SAF Trooper. Their lives take a sudden turn when Ador gets himself entangled in a syndicate by being betrayed by one of his own colleagues, resulting to his death. To conceal this fact, Cardo was ordered to pretend to be Ador and finish the mission what his brother left behind. He will also be force to pretend to his brother's family and friends, and be re-united with his grandmother, whom he despised, for assuming she abandoned him.

A majestic film in which two stories easily fit. One about a filmmaker who is a little like Diaz himself and wrestles with the completion of his film and with greedy film festival programmers. And one about a religious leader. Also a little like Diaz himself? The films of Lav Diaz often tell serious epic stories, but they are still not entirely free from humour and satire. For instance in this film, Diaz takes the mickey out of festival programmers and also sketches a picture of himself that is not entirely free from self-mockery. The film has two or three stories (also a film in the film) and one of them focuses on the filmmaker Homer, who very much resembles Lav Diaz himself. The tortured filmmaker wrestles with completing his film. Despite pleas from those around him and from eager programmers, he continues to refuse to regard his film as finished. Alongside the story about a nun in the film on which Homer is working, there’s another story about the religious leader Father Turbico. Turbico leads a sect in the countryside that is primarily made up of young women. When one of the women wants to leave the sect, a dramatic situation ensues. By telling the stories in parallel, similarities become visible between Homer’s struggle with cinema and Turbico's struggle with faith.

In late 1970s Philippines, a military-controlled militia oppresses a remote village, spreading terror both physical and psychological. Fearless young doctor Lorena opens a clinic for the poor but disappears without a trace. Her activist poet husband sets out to find her.