马蒂和萨米是一对兄弟，他们与父母一起生活，偶然的一则关于海豚的新闻却一环又一环地改变了他们的生活。为了弥补宇宙的三大谎言，马蒂和萨米将做出怎样啼笑皆非的事情呢。

2009 film by Pipilotti Rist

Florence is an actress. Preparations for her new role will challenge her in a way she could never have seen coming.

Lynn (22) lives with her brother in Berlin. There she enjoys the advantages of family life, without really feeling involved in it. She does not have any precise aim in life, but manages to awaken the interest of many people with her direct and spontaneous character. Her boyfriend David is very different: he is entirely engrossed in his very disciplined swimming training for the world championships. David does not intend to allow himself to be distracted by the complicating factors of a relationship with Lynn. When Lynn, working behind the till of restaurant, meets the Japanese student Koji, everything gets more complicated. They can't exchange many words, but it is soon clear that their moments together mean a lot to both of them.

The 14th of June 1941, Soviet-occupied Latvia. Without warning, the authorities break into the house of Melanie and her husband Alexander, and force them to leave everything behind. Together with more than 15 000 Latvians, Melanie and her son get deported to Siberia. In her fight against cold, famine and cruelty, she only gains new strength through the letters she writes to Alexander, full of hope for a free Latvia and a better tomorrow.

Leo is sugar, Clemens is orange. Together they are two eleven-year-old boys who are inseparable. More than just playmates, they share a unique bond which seems predestined to last a lifetime. Until powerful emotions come to the fore and a misunderstanding leads to a rift which tears both them and their world apart. Sixteen years later Leo is still terrified of being abandoned. He survives by forming loose relationships which don’t threaten him. Then one day he meets Lena who turns his feelings upside down. They seem to be made for each other. but Leo shuts himself off from her. He cannot forget the old story with Clemens.

A man travels from Paris to Berlin. He’s looking for his wife. He will find her in a sanatorium and take her back to Paris with him. His wife goes to Berlin every year. She is desperately searching for her daughter. In 1989, their daughter was abducted at the age of three. And she has remained unaccounted for. One day the woman discovers a girl, Nina. She is a vagrant, a drifter. An itinerant, young woman. She roams around with another girl named Toni. She’s a girl who takes what she wants. A thief. The wife believes that Nina is her missing daughter.

An introverted insurance executive at a car rental service is annoyed by his hyperactive, garrulous coworker, but the two end up becoming friends.

A young hopeful teenager is waiting for his unknown and fantasized father to come out of prison. His family dream life is seriously undermined by an exhausted mother and a man who, after so many years in jail, has become unable to be a responsible father.

长久以来，西奥（约根·沃格尔 Jürgen Vogel 饰）都饱受着生理上的折磨，对于性无限制的渴求甚至让他犯下了严重的罪行，当这种渴求到达了病态的程度后，西奥被送往了一家精神病院接受治疗。九年后，从医院里走出来的西奥俨然成为了一个“正常人”，但内心的痛苦和无法摆脱的过去依旧折磨着这个可怜的男人。 医院里的治疗让西奥变成了一个没有欲望的人，而就在这时，女孩奈特西（莎宾·蒂莫提欧 Sabine Timoteo 饰）出现在了他的身边。奈特西的身世十分复杂，两个饱经风霜的人渐渐走到了一起。然而，对于两人来说，家庭生活是一个极大的考验，当一切卷土重来时，他们还能够坚持自己的感情吗？

A mysterious housebreaking exposes the agony of an exemplary middle class family.

2019 film by Carolina Hellsgård

In a little Sicilian village at the edge of a forest, Giuseppe, a boy of 13, vanishes. Luna, his classmate who loves him, refuses to accept his mysterious disappearance. She rebels against the silence and complicity that surround her, and to find him she descends into the dark world which has swallowed him up and which has a lake as its mysterious entrance.

An intricate psychological ode to simmering emotion amid unfettered separation anxiety, which took home a FIPRESCI Prize and Best Director award from the Berlinale’s Encounters competition. Lisa is moving into a new apartment, leaving former flatmates Mara and Markus adrift. Mara, in particular, struggles with the change. While everyone else pitches in to help Lisa set up her new home, Mara moons about, mostly just getting in the way. At one point, she even makes a joke about being a ghost – and, as she continues to haunt Lisa’s life, her yearning for things to remain the same becomes infectious. The second film in Ramon and Silvan Zürcher’s loose trilogy about human togetherness follows their award-winning feature debut, The Strange Little Cat, in building a lingering claustrophobic tension hemmed in by four walls. As extended family members, neighbours, handymen and hangers-on pass in and out of the two flats, a palpable undercurrent of sexual desire and jealously fills the frame, and an increasingly chaotic whirl of ambiguity – underscored by Eugen Doga’s Gramofon waltz – threatens to tear it all apart. As a cinematic madrigal on the nature of impermanence, The Girl and the Spider is a unique work of taut, existential distinction. “A powerfully choreographed exploration of alienation … told through an uncompromisingly original, tantalizing and opaque narrative that curiously moves like a dancer.” – High on Films

Gelsomina’s family works according to some special rules. First of all, Gelsomina, at twelve years of age, is head of the family and her three younger sisters must obey her: sleep when she tells them to and work under her watchful eye. But the world, the outside, mustn’t know anything about their rules, and must be kept away from them. They must learn to disguise themselves.

A strange family: 17-year-old Phil lives with his mother and twin sister in an old mansion on the outskirts of town. When he returns from summer camp, the mood in the mansion has soured somehow. Phil doesn’t worry about it, hanging out with his best friend Kat instead. When he starts to feel attracted to a mysterious new student at school, Phil is plunged into emotional turmoil only exacerbated by the trouble at home.