A 13-year-old girl in the deprived outskirts of a sprawling Sicilian city becomes a local celebrity to her needy community when word spreads that she just might be able to perform miracles.

Shot in his butcher shop by a rival clan during the Mafia wars of 1988, the Palermo Mobster Tano Guarrasi is mourned by his wife, four unmarried sisters and his daughter. But in truth, his death represents a kind of liberation for the women.

While investigating the murder of a woman that occurred in the sado-masochistic club scene, Inspector Luca Moccia discovers fantasies that threaten his relationship. Will he overcome them?

It often happens that at the moment of death, transgender individuals are shorn of their identity. Their families are ashamed, the funeral takes place in secret, and on the tomb appears the name the deceased had before their transition, in one stroke nullifying the entire life path they had chosen. The same thing happened to Antonia. Her girlfriends gather to honor her memory and give her back her identity denied. In telling her story, the film’s stars, all drawn from the variegated transgender world, interweave the narrative with tales of their own lives, experiences, and memories.

The title refers to the well-known line delivered by Monica Vitti in Michelangelo Antonioni’s Red Desert and the film is loosely based on the great actress who passed away in early February, though it’s not at all a biopic. It’s the story of a woman called Monica who loses her memory and finds new meaning in her life by identifying with the various film characters played by Monica Vitti. Edoardo, who loves her deeply, hopes that this game will save her, and he allows it to become part of their new day to day life.