The director writes a script. Characters from her past and characters she meets on the street and elsewhere, sneak into the story and take control of her. As she writes, she sees herself in all female characters and her close friend Gadi, who is an actor by profession, in all male characters. Writing the script gives the director a chance to take a fresh look at the life and destiny she creates, life, which is actually her life, and it gives us a chance to take a look at the sources of inspiration and the creative process.

Renowned Israeli filmmaker and actress Michal Bat-Adam produced, wrote, and directed this intriguing tale of romantic obsession in present-day Tel Aviv. The beautiful Michal Zuaratz stars as a young female photographer infatuated with a stranger whose image she accidentally captures on film.

Nina (Fanny Ardant) is a French concert pianist, Ilan (Sharon Alexander) is an Israeli computer specialist visiting Paris. A romance springs up between them, and they get married. Not long afterward, Ilan is called into the Israeli army to serve his obligatory tour of duty. Things are heating up with Saddam Hussein (it is just before the Gulf War), who has just invaded Kuwait. Nina receives a call from the military informing her that her husband was wounded in combat. She rushes to his side and soon discovers that he was wounded by Israeli soldiers while he was in the process of deserting his post. It is clear from his own zombie-fied behavior that this allegation is true. Despite this horrifying revelation, she still loves him, but becomes increasingly estranged from the society around her because she feels shunned. On top of all this, she must soon make her concert debut with the Israel Philharmonic.

Explores the relationship between an eleven-year-old daughter and her ailing mother, who is losing a grasp of reality in the surrounding environment of insensitivity and cruelty.