Father and mother Andersen and their four children live in a closed down farmside storehouse in the outskirts of Oslo. They enjoy life here, but the many neibours surrounding them are less enthusiastic about the family's lack of respect towards the supposed social order and decency they live by.

1962 film by Øyvind Vennerød

A woman who has sacrificed everything for her family meets a man who makes her reassess her life

Main character Esther feels like she doesn't fit into the 'elite' and takes the big showdown with those who always have.

This is a light comedy from Edith Carlmar, Norways first woman director. It takes place in a company that sells baby toys. It is time to fill a leading position, and it is known the owner of the company only places married men on leading positions. This leads a young bachelor to "borrow" his best friends wife to have a chance at the position. This leads to a lot of comic misunderstandings, not the least because the owner of the company himself falls for the new young wife.

An American bomber is shot down on the Norwegian coast during World War II. The airmen bail out and land at different locations. In spite of the German search for them, the Norwegian resistance picks them up and hides them in the attic of the local church, a center of operations. Things become tense, however, when the hideout is spotted by a notorious collaborator, and soon the protagonist, Hans, has to get the airmen to Sweden.

号称挪威最迷幻的超现实电影，与当年欧洲的嬉皮LSD运动有关。 "Reefer Madness" taken to surrealistic new heights in Sweden, Every falsehood you learned about smoking dope in school is portrayed (to the extreme) in this film. Even the most conservative don't believe anymore that one puff of marijuana will turn you into a raving and maniacal addict. Thats what makes "Heaven and Hell" so entertaining. It takes "Reefer Madness", exaggerate all that legendary film's already inaccurate information, and puts it into such an alien setting (Oslo) that it becomes an surreal experience for my western eyes. The makers of this film obviously knew nothing about their subject; like "Reefer Madness", they wanted to get away with explicit sexuality behind the guise of public warning. Ironically, the only credible information is courtesy of the Dr. Orheim character, a supposed "villain" resembling Timothy Leary. On the technical side, the film is extremely inept also. The direction is the most aesthetically dull thing since William "One-Shot" Beaudine. The acting doesn't help either. Every performer in the cast is dry and unenthusiastic (all the stereotypes about Norwegian drama are supported here). Not to mention the film contains a sex scene between two of the most physically unattractive people I've seen. Still, I enjoyed the film a lot for several reasons. In addition to being hilariously inaccurate, the film is very surreal. I've always found this kind of camp to be rather bizarre, because often it seems so distanced from any kind of logic it resembles an alternate universe. Honestly, I've never seen anything quite like this film. When the young couple drop acid at the end, this gets pushed into Ed Wood territory of unintended surrealism. This would be a great release for Mondo Macabro. (7/10)