Two cronies Tash and Nazar work as drivers on long-haul flights. They are young, and it seems to them that they have a whole life ahead of them, full of achievements and successes. But very soon each of them realizes that luck does not always make a person happy.

After being demobilized, Ivan Cheprasov came to work in the motorcade. The chief assigns Ivan an ancient wreck that no one has bothered to repair. 'Colombina'—as the drivers jokingly nicknamed the old car—became a 'touchstone' for Ivan, testing his resilience and skill. Additionally, Colombina serves as a highly humanized metaphor for metal in Ivan's life, continuing the tradition of Soviet social realism by portraying another archetype, in this case, the ideal chauffeur.

The film tells about two elderly widows who live in the same house. They are united not only by tragedy, but also by common concern, namely the grave of two unknown soldiers, which they have been guarding for over 30 years. And suddenly the managers of their district decide to turn the grave into a memorial.

A fictional court has to decide whether Adam and Eve can become spouses.

The story about actors who will never agree to betray their theatre, even if they will have to burn themselves. And other instructions on how to behave if a whiskered man breaks into your house and wants you to leave it.