People's Artist of Russia Alexander Belyavsky has played in more than a hundred films, but the first thing that viewers remember is his role as Fox in Stanislav Govorukhin's legendary film "The Meeting Place Cannot Be Changed." Despite the success of the film, the actor himself had always dreamed of a major comedic role. While waiting for offers from comedic directors, Alexander Belyavsky came up with the idea of a television humorous program called "Kabachok 13 Stulev" and hosted it for several years...

An international geological expedition led by a Russian engineer works in an inaccessible area of one of the Latin American countries. Scientists are held hostage by a nearby gang that trades in the drug trade. Geologists are in mortal danger ...

The student rowing team of the Moscow Aviation Institute (MAI) was defeated in the competition. The coach drops the team and leaves, taking the best rowers with him. The remaining athletes decide to assemble a new team, and the management of the institute appoints a new coach for them — a teacher of hydrodynamics.

Comedy of manners with elements of grotesque. The hero of the tape - an employee of a solid research Institute San Sanych lubomudrov - an extraordinary personality. Charming trickster and subtle psychologist, he is fluent in the art of communicating with the "right" people.

The films hero is a metal worker named Ignat who is as strong and tough as the steel that his sprawling factory produces in the Ural Mountains. Its a great cheerless environment; life is arduous and dangerous; conditions at the plant are nearly subhuman. The only excitement in the grimy industrial town is provided by robbing a train at gunpoint or stealing sheep from the Bashkiri tribe. The most renowned diversion, however, is the annual fist fight between the strongest metal worker and the strongest miner from the region. Against his better judgment, but with the support of his co-workers, Ignat decides to take part in this perilous venture.

The film is about a movie actress who has arrived to conquer Moscow from a distant village. Started career doesn't add up. To the bad luck in the profession added disorder of personal life. Trying to do away with the unfortunate past, the heroine decides to return to her village. Keeping charm and vitality, she follows her own desires. As a result, her intentions are truly rewarded...

Hijinks ensue when an amateur filmmaker, financially reliant on video piracy, must reshoot all the movies from a film festival before time runs out.

Like Fritz Lang, David Fincher or Bong Joon Ho before him, talented debut filmmaker Lado Kvataniya uses the concept of police detective vs serial killer for an excitingly stylised, macabre and haunting narrative, that ultimately revolves around the identity of an era: in this case, the late 1980s Soviet Union. With Glasnost and the end of communist rule, the West also learned of the (unsurprising) fact that there were serial killers in Russia too – the most notorious case probably that of Andrei Chikatilo, nicknamed the Rostov Ripper, or the Russian Hannibal Lecter. Based on these and many other sources, Kvataniya and screenwriter Olga Gorodetskaya constructed an immersive psychological puzzle, jumping back and forth in time, to reveal ever new-possible motives for the actions of all the protagonists. It all starts in 1990, when Detective Issa Davydov is celebrating his promotion and receives a call, reporting a crime that looks precisely like the ones of the serial killer that he famously captured some years before ...

The remake of the soviet classic with a modern setting. Troshkin, a children's party entertainer, uncannily resembles the notorious criminal "Smilik". After the thief steals a valuable artifact, Troshkin is forced to act as his dead ringer in order to restore his reputation and good name.