Para el proyecto único 2x25, el festival pidió a 25 compositores que compusieran una pieza musical corta, tras lo cual 25 cineastas hicieron un cortometraje. Un cortometraje de Laura Citarella con música de Eiko Ishibashi.

“This is a film about the end of a friendship. It wasn’t meant to be. Fifteen years ago, they painted my portrait.” (Mariano Llinás)

En julio de 2002, un productor norteamericano encomienda a Mariano Donoso la realización de un documental sobre el estado de la educación en la provincia de San Juan, en la que ha nacido. El primer día de rodaje, se declara una huelga general de maestros que paraliza el dictado de clases en toda la provincia e, indirectamente, también el film. A partir de ese aciago comienzo, Donoso se embarcará en una extravagante odisea, a veces cómica, a veces trágica, a través del pasado y el presente de la Patria. Las protestas, los reclamos, Sarmiento, el terremoto, la inercia provinciana, la sombra terrible de Buenos Aires y, finalmente, el desierto, aguardan al director en su azaroso derrotero.

An ambitious attempt to narrate Borges’s biography through objects and places. A 330-minute film which narrates not only the life of Borges but a century of literature and history...

Situation 1: Mondongo, a duo of Argentinian artists, create a work inspired by The Art of colors, a treatise by Johannes Itten. Situation 2: A filmmaker begins a portrait of them.

Produced by El Pampero Cine Lejano Interior (Poemas) 1- La ciudad interior 2- Abismos 3- El Peregrino 4- Los libros que no voy a leer 5- El cohete 6-Que ha pasado aquí 7- Un laboratorio 8- Regiones 9- Festa do interior

In 2000 Alejo Moguillansky, Diego H. Flores and Fermín Villanueva shot during three days on board of the ARA San Juan submarine. Twenty years later, Alejo Moguillansky edited that old footage as a documentary called La noche submarina. In 2017 The ARA San Juan submarine sank into the sea with 44 people aboard. And with international help, its location was found one year later.

An enormous effort of narrative complexity made up of six independent, successive stories, connected by the same four actresses living very different experiences in very different universes…

阿根廷导演圣地亚戈·迈特([帮派]、[峰会])的第四部长片，也是其第一部法语长片[小花](Petite Fleur，暂译)已在法国开机。影片卡司包括丹尼尔·亨德尔([失去的拥抱])、维马拉·庞斯([野小子们])、梅尔维尔·珀波、塞尔希·洛佩斯([幸福的拉扎罗])、弗朗索瓦兹·勒布伦([青春的三段回忆])、埃里克·卡拉瓦卡([一日情人])。影片改编自阿根廷作家Iosi Havilio撰写的同名小说，剧本由迈特与马里亚诺·利纳斯([花])共同撰写。 故事围绕阿根廷人何塞展开，他与他的伴侣、女儿近期一起移居到了法国，并与邻居结识。一次相聚，他听着爵士乐《Petite Fleur》，却在冲动下杀死了他的新朋友。然而第二天，令何塞惊讶的是，他的邻居却安然无恙。于是何塞决定再次杀死他。而在此之后，何塞惊讶地发现自己陷入了一个新奇的每日循坏：照顾婴儿、打扫房屋、试图挽救他与伴侣的关系……以及杀死他那毫不知情的邻居。

2022 film directed by Santiago Mitre

After an actor finds a treasure map detailing the location of ancient gold hidden near a town in the Misiones province named after the 19th-century politician Leandro N. Alem, he persuades the producers to change the project, as a portrait of the radical Alem and move the production there - so he can search for the treasure. A portrait of a clash between a Swedish artist and an Argentinian director.

Yvan De Wiel, a private banker from Geneva, is going to Argentina in the midst of a dictatorship to replace his partner, the object of the most worrying rumors, who disappeared overnight. Between hushed lounges, swimming pools, and gardens under surveillance, a remote duel takes place between two bankers who, despite different methods, are the accomplices of a discreet and merciless form of colonization.

At a summit for Latin American presidents in Chile where the region's geopolitical strategies and alliances are in discussion, Argentine president Hernán Blanco endures political and family drama that will force him to face his own demons.

Argentinean Film Critics Association Awards Year Result Award Category/Recipient(s) 2003 Won Silver Condor Best Argentinean Video Film (Mejor Videofilm Argentino) Mariano Llinás This movie is a documentary about "balnearios". I don't know the exact translation to english, but they're tourism towns or little cities by the seacoast, or near some water fountain. The movie shows the singularity of these places and how people enjoy them. The movie don't want to show big places but little ones. It's centered in margins, in little tourism places, almost without people living there. The life in these places is narrated in detail, with an external yet friendly look. It's divided in 4 episodes. After a melancholic introduction that relates how the 'balnearios' that born in a different time, compulsorily (and not gracefully) had to adapt to the pass of time, the first episodes begins, telling a mystic crime story in an old hotel, leaving me thinking if every little town has its epic tragedy, its own legend. The second episode is the heart of the movie, and its about the contrast between the season and the out-of-season, the unexplainable customs of the tourists, about the people at the 'balnearios' in general. It is narrated very gracefully. The people laughed a lot in the cinema. The third episode is the shorter and the worst, IMO. Tell the story of Miramar, a town on the seacoast that is half flooded, the streets finishing under the sea. The fourth episode is about 'balnearios' on river coasts, little lagoons, or dikes, and it's centered in Zucco, an amateur painter(His personality remains me to Ed Wood) that paint the 'balneario' where he lives. He has written down and stored every dream he had. He talks with Neptune. The episode tells a 'balneario'-related dream he had once, his thoughts, and show some of his work. This episode is maybe too long, but funny. And it shows the spirit of these different 'balnearios', too.

Paulina is a young lawyer with a promising career in Buenos Aires, who chooses to go back to her home town. Her father, Fernando, is a well known judge. Against his will, Paulina decides to teach in a suburban high school as part of an inclusion program. One night, after the second week working there, she's brutally assaulted by a gang. With the disapproval of the people around her, she decides to go back to work, in the neighborhood where she was attacked, without realizing that her attackers may be even closer than she thought.

本片讲述了三个以字母为代号的男人的神秘冒险经历，时长245分钟，共分为18章节，以魔幻现实的手法表现出阿根廷近代历史文化的变迁，叙事方法新颖独特，长镜头摄影精湛，尽管并不属于大制作，而是小成本的独立电影，但最后的结局却给人以强烈而深刻的印象，是近些年来难得一见的阿根廷实验电影杰作。（08维也纳国际电影节） In this adventurous experiment in storytelling, secret identities, missing persons, lost treasures, exotic beasts and desperate criminals are only a few of the elements woven into a grand tapestry of mysteries. 其他介绍：

An enormous effort of narrative complexity made up of six independent, successive stories, connected by the same four actresses living very different experiences in very different universes…