1919 film by Tod Browning

At a mountain resort, Kenneth Scott falls in love with Marie Beauchamp, an older woman who merely amuses herself with him. When she deserts him to open a roadhouse, he sadly leaves the mountains and, in the company of an old wandering poet named "Doc" Podden, travels to a little village in the woods.

A fantastically atmospheric but rarely seen missing link in the development of Tod Browning’s artistry, set amid his favored milieu of shadowy sideshows and clever criminals, The Mystic provides a striking showcase for silent-era diva Aileen Pringle, who sports a series of memorably outré looks (courtesy of art-deco designer Erté) as Zara, a phony psychic in a Hungarian carnival who, under the guidance of a Svengali-like con man (Conway Tearle), crashes—and proceeds to swindle—American high society. Browning’s fascination with the weird is on full display in the eerie séance sequences, while his subversive moral ambiguity extends surprising sympathy to even the most seemingly irredeemable of antiheroes.

Two thieves, the Blackbird and West End Bertie, fall in love with the same girl, a French nightclub performer named Fifi. Each man tries to outdo the other to win her heart

Alonzo is an apparently armless knife thrower who uses his feet to encircle Estrellita with blades. provided by