This is Poe and Král's first effort, shot on small-gauge stock, before their more well-known endeavor The Blank Generation (1976) came to be. A "DIY" portrait of the New York music scene, the film is a patchwork of footage of numerous rock acts performing live, at venues like Madison Square Garden, Radio City Music Hall, the dive bars of Greenwich Village and, of course, CBGB.

A psychotic saxophone player lures victims to deserted spots with his music and then guns them down.

Sketched loosely, the narrative of Poe's first feature is as scrappy and paper-thin as its protagonist Rico, a self-styled loner in New York City circa 1976 who longs to inhabit the "New Wave" scene of mid-60s Paris. In Rico's day-to-day life as an unsuccessful photographer, he wearily searches for authentic connection-- even as he spouts the most inauthentic prose imaginable.

In the midst of an evacuation effort, True World Forces agent Weed must secure an alien spacecraft suspected to have crashed somewhere in the city. But after Weed meets the ship's beautiful, shape-shifting pilot, he finds himself falling for her. As the two grow close, Weed struggles to determine where his true loyalties lie.

This stylishly photographed drama is set in the Lower East Side area known as "Alphabet City." There 19-year-oldJohnny has become a drug lord in charge of the neighborhood gangs and pushers. Unfortunately, he too has a boss and when he asks Johnny to burn down the tenement building that houses his mother and sister, the boy refuses and decides to go straight for the sake of his wife and child. This doesn't set well with his boss who sends gangsters out to kill him. Of course, the gangsters have to catch Johnny first.

new york no wave scene 70s