Na-rin could not easily accept the breakup with her long-time lover Eun-chan after being informed of the sudden breakup, so she wants to have a one-month grace period for Eun-chan's feelings to return. "Love always ends out of the blue, and parting is always difficult." But as Na-rin jumps into the album production project for "History of Love," she's in a position to think about "breakup" more than anyone else. Can Na-rin find the purpose of the breakup that she has postponed?

Bored and lethargic Hyunsil becomes impatient after seeing the posting of a poetry contest. For some reason, she wants to be a poet and has composed four poems so far. However, to enter the contest, she needs five poems. Moreover, there is just one day left before the deadline.

Part I : A middle-aged woman gets off a bus at Muju Terminal. She passes through the town and walks into a forest. She starts to search for the vestiges of her life from beyond the grave. Part II : A young woman, Minjae, returns to her hometown of Muju and starts to work at the county office. Her mother is displeased that her daughter has returned to the hometown. One day, Minjae’s friend from college, Kyungyoon, who hadn’t been in touch for a while, comes to see her.

The lover of a ruined actor announces that she is leaving him to marry someone else; while a young woman becomes the subject of various rumors after denouncing her boyfriend for violence.

Su-an, a performing arts high school student, becomes close with Seol, an actress and celebrity. During a trip, they realize that they have feelings for each other. However, misunderstandings pile up too much, and Seol leaves Su-an. Su-an later becomes an actress and returns to the winter sea, longing for Seol.

Jay, a promising young writer, is publishing her new book, while her boyfriend Geonwoo, who teaches at a private language school, is tipped for promotion. They love each other, take care of each other, and have a great rapport. Until an unplanned pregnancy throws them off course. They didn’t want a child and starting a family would jeopardise their career prospects. Yet who’s to have the last word if they can’t agree on a solution to the situation? The Korean director presents a tale eclipsed by a sense of dejection in a subtle portrayal of a couple arriving at a crossroads in their life together. When else should one break the taboos of parenthood and the preconceptions of motherhood than when a woman’s right to decide what happens to her own body is again called into question. 源自：

Hye-jeong works in a factory on the outskirts of the city. All she wants is to live alone in peace. One night, however, she finds she has become a ghost. As a ghost, she goes back in time, day by day, and tries to keep out of harm’s way.