1986 film by Oswaldo Caldeira

Middle-class family reform their apartment, and the noise, the contact with the workers and strange occurrences turn what was supposed to be a trivial matter into a trip to hell.

Noronha is a low middle-class civil servant who lives with his frustrated wife Gorda and their three elder daughters. The youngest one, virginal Silene, is unexpectedly sent back home. Noronha discovers she has been expelled from boarding school for having killed a female cat and her seven newborns in a hysterical fit. Many dark family secrets will emerge from that episode leading to tragic events.

A group of eleven women organize a soccer team, as a manifesto against sexism.

最近，一部由巴西导演执导的电影《中国制造》在巴西两大城市举行了首映礼，这部电影讲述的是巴西如何接纳中国移民的故事。
从1810年葡萄牙殖民者将澳门人带到巴西开始，到今天，生活在巴西的中国移民已经有大约20万，而这其中有相当一部分人都是经商者。最近，由巴西导演西亚瓦塔执导的电影《中国制造》在圣保罗和里约热内卢举行了首映式，伴随着观众爆发出的阵阵笑声，导演通过诙谐的口吻，展示了一个关于中国商人如何在巴西成长、巴西人如何接纳中国移民和文化的故事：“如今，中国不仅是在巴西，而且也正在全世界范围内迅速地崛起。我想通过我的电影，向人们讲述我生活的城市里正在发生的事情，讲述中国人的到来不仅给巴西带来了中国制造的产品，还有中国的文化。现在中国人已经越来越多地出现在我们巴西的文化中，展示着不同于其他东方国家的色彩，我觉得这对于我们两个国家来说都是一种进步。”
这部电影以里约著名的撒哈拉商业中心为原型，演绎了阿拉伯商家和中国商家由激烈竞争到结为同盟的故事。过去，撒哈拉商业中心曾是阿拉伯和犹太商人的领地，现在却变成了中国商人的天下。片中少女晶晶的扮演者王伊立如角色一样，也是在17岁时与母亲来到巴西，7年来在这里生活的经历让她切身感受了巴西人的包容：“在巴西并没有像其他国家一样，有‘唐人街’或者‘中国城’，这是因为在巴西所有人不管是阿拉伯人、犹太人、巴西人还是中国人，都是像朋友一样的，这也就是为什么到现在都没有‘唐人街’和‘中国城’的原因。所以我觉得巴西人的包容性是非常值得我们学习的。”

A true story that comically depicts the relationship between an ordinary woman and her three husbands, who live in the same house in a poor and arid small village of the Brazilian northeast.

Laughed at when he announced the discovery of the elixer of life, a scientist Professor Expedito Vitus devotes himself to the reconstitution of a map which has been divided into eight parts. The owners of these parts are being mysteriously murdered. Thanks to this map, he ends up making the most important archaeological discovery of the century: the tomb of Runamb, the Mummy, in the sands of Egypt. Back in Brasil, the professor brings the Mummy back to life, who was actually a dangerous psychopathic murderer obsessed with the image of Nadja, the dancer who had turned him down.

After leaving her daughter Jessica in a small town in Pernambuco to be raised by relatives, Val spends the next 13 years working as a nanny to Fabinho in São Paulo. She has financial stability but has to live with the guilt of having not raised Jessica herself. As Fabinho’s university entrance exams approach, Jessica reappears in her life and seems to want to give her mother a second chance. However, Jessica has not been raised to be a servant and her very existence will turn Val’s routine on its head. With precision and humour, the subtle and powerful forces that keep rigid class structures in place and how the youth may just be the ones to shake it all up.