In a playful critique of the mechanisation of the body and the militarisation of the workplace, Zhou Tao collages choreographed chants that take place in morning group meetings – a form of taking attendance at the beginning of a workday – for shops and companies in Shanghai and Shenzhen.

In-between zones are where Zhou Tao situates his subtly off-kilter work that unravels at a soothingly sedated pace. As we observe dragon-boat rowers train in heavily vegetated areas of the city, we are transported in and out of reality and performance, winter and summer, Paris and Guangzhou.