ヴァンパイアのブラドは、悪魔に命を助けて貰う代わりに、一人の少女の面倒を見ることになる。彼女の名前はセツナ。悪魔が作った女。百日間セックスをしなければ一人前の女ヴァンパイアとなりブラドの好きに出来るという。だがその約束を破るとブラドも女も死んでしまうというのだ。ブラドは渋々セツナの面倒を見ることにした。ブラドが寝ている昼間、セツナは街をうろつき色んなものを目にする。何も知らなかったセツナだったが、少しずつ命の大切さを学んでいく。街の教会で若い神父と知り合い、さらに人を大事にする気持ちを大きくしていく。若い神父に気持ちが傾いていくセツナに苛立ちを覚えるブラド。セツナと神父が抱擁を交わしている所を目撃したブラドは、逆上して神父を噛み殺す。悲観にくれるセツナ。人間を糧として生きなければならない自分の境遇に苦悩し始める。そして99日目、あと一日でセツナがヴァンパイアとして生まれ変わる日、セツナはブラドにある願いを伝える…。

When he is hit by a car on the street, the young man Daikoku foresees the monster Demking appearing at the end of the century. In preparation for the coming confrontation with the Demeking, he organizes a modern-day Seven Lucky Gods composed entirely of antisocial people. This is a utopian epic that, despite the ridiculousness of the story, is the most powerful depiction of the motifs seen in the first two films, which attempt to play on the sense of apocalypse through unrealistic imagination, while staying within a tenuous sense of reality.

2004 film by Shinji Imaoka

小遥（渡边万美 饰）是名超人气模特儿，因工作导致她过度节食，某天在工作现场昏倒了。为了恢复体力，小遥来到一家肉铺想买牛排食补，没想到她却听得到肉铺老板安春的内心话，老板在赞叹她的好身材，这让小遥吓得夺门而出。她把这件事告诉经纪公司老板、同时也是男友的俊介，但俊介完全不相信她的话，甚至叫她去看医生。 后来，俊介对小遥求婚，但模特儿界新人辈出，小遥担心自己的地位不保，完全不考虑结婚。另一方面，安春从小就拥有超能力，但身边的人完全不相信他。他明知太太在外面有小王，却也只能视而不见，身为入赘女婿的他只能守着太太娘家的肉铺。后来，小遥和安春因故开始借由心电感应互相沟通，分享彼此的苦恼，两人渐渐地熟悉、了解，进而跨越了那条防线……

An artist named Kurahashi and a female artist named Cheiko wait in a dentist's waiting room. The man feels attracted to the woman but says nothing to her. Later in the examining room, both patients are going under anesthesia, but the man looks over at the woman and sees the dentist and nurse taking off her clothes, while sucking her body for blood like vampires. The man and woman escape from the dentist's office, but their horror is only about to begin...

麻辣重口味片主打情色、欲望、暴力与变态等主题粉红系真枪责弹性爱又纯爱描高心智年龄仍停留在高中生的河童，为了抢救生前暗恋对象而还魂人间，杂脱力系料及略带法式香颂情调的歌舞，以及杜可风的掌镜、构筑出一则令人目瞪口呆的奇幻情色歌舞片…

Romantic fantasy about the ruckus that ensues after a mother and daughter switch bodies. Director Imaoka Shinji wrote the script for The Drudgery Train and has worked on numerous erotic films. Housewife Suda Sawako (Takaki Mio) is dissatisfied with her husband Kenzo (Haruta Junichi). Meanwhile, her daughter Yasuko (Ishikawa Yumi) is going out with Kitamura Mitsuru (Nagaoka Tasuku), a struggling musician. When Sawako visits Yasuko's apartment one day, her built-up frustrations explode and she gets into a physical altercation with her daughter.