Joan Manuel Serrat fled to Mexico when Franco ordered his persecution. In Argentina and Chile, his commitment against military regimes is still remembered. Joaquín Sabina arrived later. His poetry bewitched the audience. In Argentina, he is a tango singer as much as a rocker; in Mexico, the mariachis sing their songs. The former is a symbol, a venerated figure; the latter is a “cuate,” as they say in Mexico, a buddy with whom you can always count.

The octogenarian Angono Mba recalls the expedition in which he worked as porter for the Spanish filmmaker Manuel Hernández Sanjuán who, between 1944 and 1946, traveled through Spanish Guinea documenting life in the colony as he obsessively searched for a mysterious lake.

2014 film

A new reading of the historical period that began with the reign of the Catholic Monarchs (1479-1516) and the discovery of America (1492), as well as an analysis of its undeniable influence on the subsequent evolution of the history of Spain and the world.

For three and a half centuries, from the same day that Diego Velázquez (1599-1660) applied his last brushstroke to the canvas, the enigma of “Las meninas, o La familia de Felipe IV” (1656) has not been deciphered. The secret story of a painting unveiled as if it was the resolution of a perfect crime.