1964 screen test of Herko running 4 minutes, 36 seconds in length.

Shot in slow motion, with tiny bits of stagy lighting that seem to crumble and flake like cookies, Billy Name gives one of his notorious haircuts--and Warhol turns it into a homoerotic performance, a dance of adoration and control, a triangle of looking and keeping-at-bay, that is a slightly dullish but finally essential contribution to Warhol's long project of bringing portraiture technologies to moviemaking.

An hour-long paean to the art of the kiss featuring fourteen couples, from passionate participants to lethargic lovers, engaging in the intimate act.