A short film made by Sirk at the end of his life with one of his students. An adaptation of Schnitzler, with Hanna Schygulla: a night of New Year’s Eve, when the family meal is finished, Hanna is in a window while a young man entertains her and talks of the one he loves but can’t join at that time.

Before he became cult director Douglas Sirk, Detlef Sierck cut his teeth on such lavish European star vehicles as Das Hofkonzert (The Court Concert). Marta Eggerth is cast as Christine, a young singer who aspires to find out who her father was. Her odyssey brings her to the court of a mythical kingdom, where she is romanced by handsome lieutenant Walter (Johannes Heesters). He is warned not to lose his heart to a "commoner," but all turns out all right when King Serenissimus (Otto Tressler) turns out to be Christine's long-lost daddy. Hofkonzert was designed as a comeback for Marta Eggerth, whose star had eclipsed by the mid-1930s.

A 19th-century London cabaret singer is deported to prison in Australia. Her crime? Taking the blame when her lover bounces checks.

It's a tale of power and passions when a Russian siren, who wants the finer things in life, sinks her hooks into a judge, a decadent aristocrat and an estate superintendent, with surprising results.