1979 film directed by Çetin İnanç

The film focuses on the relationship between Gırgır Ali and a singer he has kidnapped. Gırgır Ali is a man who has been involved in many petty crimes throughout his life. Since his release from prison, he has been trying to live without committing crimes. One day, his old friend Palandöken asks Ali to kidnap the famous singer Yasemin. At first, Ali is reluctant to do so, but he decides to kidnap her himself to prevent others from doing so. The two spend some time together in an isolated mansion. Although Yasemin initially hates Ali, she will eventually be influenced by his lifestyle.

A victim of a forced marriage who has stabbed her husband finishes her sentence. When she is released from the prison she starts working at a factory under harsh conditions. Soon a poet falls for her, and gives her a new hope in love.

1988 film by Kartal Tibet

This is one of the tragicomic films of Kemal Sunal who is most "serious-comic" artist of the Turkish cinema. This film also reflects socio-economic and cultural life of the 70's-80's Turkiye. The film obviously talk to Turkish audience but who wonder that era of Turkiye can taste of it. The film underlines of love, friendship and -richness in the poorness- and also is a story about the people who prefers love, instead of money and fortune. The theme and narration may include some populist elements -like most Kemal Sunal films- but generally tells its story as well. The story is familiar to Turkish audience: A young man loves young girl. In most Turkish love films one of the partners is rich or poor according to the other but in this movie both sides are poor and they have many difficulties to reach happy end. In my opinion, these kind of movies always gives hope to people to get over it.