A TV mini-series adaptation of the classic Alexandre Dumas novel. Edmond Dantes is unjustly sent to prison for 18 years. He escapes to reclaim his fiancée Mercedes and revenge against his nemesis, Mondego.

French web series on Amazon Prime Video

2023 film directed by Bruno Podalydès

杜马父子是获奖无数的管弦乐指挥大师，作为竞争者的两人小心维护着彼此的亲情纽带，直到一次难得的选拔机会让他们险些反目成仇。影片改编自曾提名戛纳金棕榈奖与奥斯卡最佳外语片奖的以色列影片《脚注》，将故事背景设定为更契合法式浪漫精神的古典乐中产家庭，在管弦乐团演奏的悠扬乐声与应接不暇的各色文化场所之中，徐徐展开波及三代人的纷争与温情。伊万·阿达勒与皮埃尔·阿迪提两代凯撒奖得主同台飙戏，上演“貌离神合”的父子情。

《艺术》讲述皮肤科大夫塞尔吉近来迷上了现代派艺术。他用二十万法郎买下了一幅著名画家的作品——一幅全白的油画。这件事在他与老朋友马克和伊万之间引发了一场出人意料的感情风暴……全剧一气呵成，雅丝米娜·雷札（Yasmina Reza）以其女性特有的细腻笔触刻画了三个男人情感的一系列微妙变化，诙谐、幽默。在表层故事之下，极具内在张力的思想穿透力，令人回味无穷。

Two couples. Friendship, suspicion, deceit & the truth... Following a critically acclaimed sold out run at the Menier Chocolate Factory, THE TRUTH transfers to Wyndham's theatre for a strictly limited 10 week run, until 3rd September. THE TRUTH is a biting comedy which examines the complex relationship of two couples entangled in the politics of extra marital affairs, friendship, deceit and ultimately, the truth...

63岁的加斯帕德是个知名电视制片人。他一直坚持忽视种种变老的迹象。老休伯特打搅了他儿子的安排。这一两人组由于扎娜的到来变成了三人组。而父子 之间的关系在畏惧和期待中随着生活和岁月而发展着。

Marc est invité par son ami Serge à venir voir sa nouvelle acquisition : Une toile d'environ un mètre soixante sur un mètre vingt peinte en blanc, avec de fins liserés blancs transversaux, que Serge vient d'acheter 200 000 francs. Atterré par cet achat, Marc s'interroge et va trouver Yvan, leur ami commun, pour lui faire part de son incompréhension à propos de ce geste. Entre les trois amis s'engage alors une discussion qui ira bien au-delà de la seule question de l'art contemporain... « Art » ( Les guillemets font partie du titre )

A large and beautiful property on the French Riviera. A place that seems out of time and sheltered from the rest of the world. Anna goes there with her daughter for a few days of vacation. Amidst her family, friends and the house staff, Anna has to handle her fresh break-up with her partner and the writing of her next film.

2011 film by Claude Lelouch

In an airport, six destinies, during a short moment, will change, separate and meet. And if these characters were going through, without knowing it, the most important moment of their lives? Olivier and Lila ... Will he miss his love or will she miss the plane? Julia and Marcel ... Will she avoid death or will he mess up his life? Fanny and Max ... Will she lack of courage or will he be out of luck?

《公園長椅》的故事以不同的地方作背景：包括寫字樓、一間自助商店和公園。影片透過八十六位法國知名演員演繹一連串的插曲來描寫凡爾賽區平常的一天。一眾法國明星如眾星拱月般為波達里斯的這部喜劇增添活力。情節佈局輕鬆巧妙，並且極之惹笑，本片以詩般的幽默手法探討各種形式的城市孤寂。 With Park Benches, the director closes a trilogy that began with A Night in Versailles (Best Short Film César 1993) and continued with Only God Sees Me (Best Debut Feature César 1999). Set in various locations – including an office, a DIY store and a park – the film pictures an ordinary day in Versailles and comprises a series of short episodes featuring 86 famous French actors. This stellar French cast brings Podalydès’ sparkling comedy to vibrant life. Beautifully crafted, endlessly playful and very, very funny, this ensemble film has been lauded by the press for its poetic humor which borders on the absurd and explores themes of urban solitude.

Vermeer, Beyond Time explores the life and work of one of the most loved, influential, and well-known artists, Johannes Vermeer. Images from his paintings have become part of our collective imagination and are instantly recognizable. In this new feature documentary, French filmmaker Jean-Pierre Cottet adopts an imaginative and sensitive approach to his subject, focusing on not only his work, but also his family life; including his conversion to Catholicism, his artistic contemporaries, and the wider world of the short lived Dutch Golden Age of the 17th Century. In 1675, overwhelmed by poverty, physically weakened, and humiliated, Vermeer dies at the age of 45. Soon afterwards, his paintings are sold to cover his debts, and Vermeer disappears from memory. His rediscovery some 200 years later has seen his popularity soar, claiming both our hearts and our admiration.

皮埃尔（朗贝尔·维尔森 Lambert Wilson 饰）被发现死在了参议院亨利（皮埃尔·阿迪提 Pierre Arditi 饰）的度假小屋里，死因是谋杀。皮埃尔的妻子克莱尔（安妮·康斯金尼 Anne Consigny 饰）成为了案件最大嫌疑人，因为皮埃尔背叛了两人的婚姻，这让克莱尔一直怀恨在心。 警官格朗（莫里斯·本尼丘 Maurice Bénichou 饰）负责此案的调查，随着侦查的渐渐深入，刚开始确凿无误的杀人证据被一件一件的推翻了，克莱尔身上的嫌疑渐渐被洗清。与此同时，越来越多的人被卷入了案件之中，其中包括皮埃尔的情人伊斯特（瓦莱丽亚·布诺妮-泰特琪 Valeria Bruni Tedeschi 饰）和一位名叫菲利普（马修·德米 Mathieu Demy 饰）的男子。一波未平一波又起，就在这宗案件悬而未决的节骨眼上，另一起谋杀案发生了。

Joseph Rouletabille, a reporter for a local newspaper, investigates the attempted killing of Mathilde Stangerson, who uses the yellow room of the title as her bedroom. At the time of the revolver shots her room was locked and the windows were barred, but when her father enters after having forced the door, there is no-one there except for Mathilde. So who did it and how did he get away?

REMEMBRANCE OF THINGS TO COME, the latest "cine-essay" of Chris Marker, is dense and demanding, a splendid reminder that his nimble, capacious mind has lost none of its agility, poetry, and power. Ostensibly a portrait of photographer Denise Bellon, focusing on the two decades between 1935 and 1955, the film leaps and backtracks, Marker-style, from subject to subject, from a family portrait of Bellon and her two daughters, Loleh and Yannick (the latter co-authored the film), to a wide-ranging history of surrealism, of the city of Paris, of French cinema and the birth of the cin (C)mathque, of Europe, the National Front, the Second World War and Spanish Civil War, and postwar politics and culture.Full of Marker jokes (a great one about artists and cats), word play (Citroen/citron), filmic homages (Musidora makes a memorable appearance), peculiar art history, a consideration of the 1952 Olympics, and astounding segues from French colonialism in Africa to women in the Maghreb, to a Jewish wedding and gypsy culture in Europe, to Mein Kampf and the Nazi death camps (Birkenau, Auschwitz), the film opens with Dali and ends with Mompou, traversing in its short time a world of thought, feeling, and history.A small masterpiece of montage, REMEMBRANCE OF THINGS TO COME is from moment to moment reminiscent of Resnais, Ivens, even Kubrick, but in its deployment of still photographs (as in La Jet (C)e), its theme of history and memory, its subject-skipping montage and rapid shuttle of wit and philosophy, REMEMBRANCE is pure, marvelous Marker. -- © First Run/Icarus Films

Virgil Ioan, 一个年轻的罗马尼亚电视台记者, 来到法国探访Constantin Dolinescu（60年代与罗马尼亚社会主义当局政见不合的著名作家，曾被齐奥塞斯库－罗领导人，东欧剧变中被秘密枪决，判刑入狱，后经民主人士的活动，释放，随即离开令他心碎的非自由祖国，前往法国过着半流放的生活。1987年之后，这位曾经被西方民主人士奉为上宾，法国媒体也曾大肆报道的人物消失在公众的视线中。他还在法国吗？他去了哪里？他是否停止了文学创作？他曾经希望投入电影导演的行当，那两部成品为何永不见天日？他与法国文艺界的关系又是怎样？他会有着何种神秘的感情生活...？？？怀着这种种疑问，前文提到的充满热情和坚持的记者希望找到合适的线索拍摄一部记录片将一个真实的Constantin Dolinescu呈现在今天自由化的罗马尼亚人眼前，最终的结局是有点悬念与荒谬的...大家慢慢欣赏吧 注：罗马尼亚从人种学上与法国同源，皆属拉丁人种，语言与文化上与法国亲近，加上法国自由的气息，片中的反叛作家选择了这个从地理位置上并不相近的国家避难。

皮埃尔·阿尔迪迪是法国的一位老演员，出演过《基督山伯爵》、《周末》等许多知名电影，1987年、1994年先后因为出演《情景剧》、《吸烟/禁止吸烟》被法国国内最高电影大奖恺撒奖评为最佳男主角和最佳男配角。《两个人的法拉利》是他在2002年出演的一部喜剧，在剧中塑造了一个为生活所迫的小人物。 索尼耶原来是一家公司的高级职员，在一次公司重组中被新上任的人事部经理安德烈解雇。从此，索尼耶成了街头的推销员。为了不让女儿和妻子担忧，索尼耶一直对她们避而不见，只靠手机与她们联系。三年过去了，奥丽薇娅思念父亲心切，请索尼耶去里昂看她，这个简单的要求使索尼耶十分挠头。 恰逢此时，安德烈驾驶着公司董事长送给足球明星的法拉利前往戛纳，一对不期而遇的冤家坐在了一起。索尼耶不知道身边人的身份，对人事部经理大加抱怨。安德烈心怀愧疚，一心希望补偿索尼耶。然而，安德烈刚刚安排好索尼耶和女儿在戛纳的度假计划，意外的消息传来了——安德烈遭到了被公司的解雇……

Nicole, nurse in Grenoble, is raped one night by four men. Deeply scarred, emotionally and physically, she thinks she will never recover from the trauma. Following a friend's advice, she decides to file a lawsuit.

Un conservateur terrorisé par les plantes vertes, une mère plastifiée pour être exposée, un ballet de Saintes Vierges, des gardiens épuisés par Rodin, un ministre perdu dans une exposition de sexes, une voiture disparue au parking Rembrandt, des provinciaux amoureux des Impressionnistes, touristes galopins galopant d'une salle à l'autre, passager clandestin dans l'art premier, Picasso, Gauguin, Warhol, ils sont tous là dans ce petit monde qui ressemble au grand, dans ce musée pas si imaginaire que ça, valsant la comédie humaine jusqu'au burlesque.