A satire about the power of publicity. Robert Montgomery plays Jeff Bidwell, a dashing Broadway press agent who has his own private club where he cultivates the rich and powerful. With the help of his selfless ex-wife (Madge Evans), Jeff molds an illiterate, suicidal young woman (Sally Eilers) into a celebrity socialite.

A poor-but-charming father and son try to enter high society by marrying rich English widows.

The Victorian wife of a mad baron waits years for a British soldier sent to Egypt.

A behind the times Chicago bootlegger goes to England with his lawyer to claim his estate as the Earl of Gorley.

A deeply in debt heiress tries to land a rich man while a collector from the Sheriff's office is guarding the assets in her house.

Robert Montgomery Presents is an American dramatic television series which was produced by NBC from January 30, 1950 until June 24, 1957. The live show had several sponsors during its seven-year run, and the title was altered to feature the sponsor, usually Lucky Strike cigarettes, for example, Robert Montgomery Presents Your Lucky Strike Theater, ....The Johnson's Wax Program, and so on.

The Sloanes tie murder to the theft of a Shakespeare manuscript.

A fairly accurate historical account of Walter Reed's search for the cause of "Yellow Jack" or Yellow Fever and those who risked their lives in the pursuit.

Women from various backgrounds volunteer as nurses in France at the outbreak of World War I.

After years of fighting off the advances of her old flame Steve, Lisbeth settles into a steamy, casual romance with journalist Alan. Against the advice of her happily married aunt Celia -- who encourages her to demand a serious commitment -- Lisbeth continues to see Alan, even after she hears he may have a wife in France. When Alan's work sends him abroad, a lovesick Lisbeth struggles to understand her feelings.

On leave in Italy, Lt. Tommy Knowlton falls in love with Jean Standish, who's not only married, but is the daughter of his submarine's commander. Friction between the two officers becomes intolerable once at sea and after Commander Toler is forced to abandon Tommy's best friend topside while the sub dives to escape enemy planes, Tommy is no longer able to contain his anger.

Mary, a writer working on a novel about a love triangle, is attracted to her publisher. Her suitor Jimmy is determined to break them up; he introduces Mary to the publisher's wife without telling Mary who she is.

A chic American jewel thief falls in love with one of her marks, an English lord.

Gerry, Connie, and Franky are small-town girls seeking wealthy husbands in New York City. But, while Connie and Franky are reckless with their affections — one bedding a married man and the other marrying a scoundrel — Gerry is determined to remain practical. As she mothers her wounded, heartbroken friends, she stalwartly but foolishly resists the advances of the good-hearted and affluent Tony Jardine.

A socialite only realises that her friend is in love with her when she falls for the wrong man.

Park Avenue party-girl Mary (Norma Shearer) and staid English nobleman, Lord Phillip Rexford (Herbert Marshall) are married on a lark, they live happily in London. He must travel to America on business leaving her home alone. Lord Rexford's aunt invites Mary on a trip to the Riviera where she runs into an old flame, Tommie Treal (Robert Montgomery). Under the spell of the sea breezes and the Mediterranean moon (a semi-excuse for adultery to keep Queen Norma's image clean, as this was a post-Production Code film), Mary is the "innocent" victim of a romantic escapade that makes headlines as well as the scandal sheets. None of Mary's explanations can soothe Lord Phillip, his cold indifference drives Mary, who fights against it (a minor and feeble struggle at best), closer to Tommie. As the two lovers surrender to their ardor, Lord R. learns from his lawyer that Mary had been telling the truth, and he calls for her to join him in Cannes with a clean slate. O.K, but as Chief White Eagle ...

Park Avenue party-girl Mary (Norma Shearer) and staid English nobleman, Lord Phillip Rexford (Herbert Marshall) are married on a lark, they live happily in London. He must travel to America on business leaving her home alone. Lord Rexford's aunt invites Mary on a trip to the Riviera where she runs into an old flame, Tommie Treal (Robert Montgomery). Under the spell of the sea breezes and the Mediterranean moon (a semi-excuse for adultery to keep Queen Norma's image clean, as this was a post-Production Code film), Mary is the "innocent" victim of a romantic escapade that makes headlines as well as the scandal sheets. None of Mary's explanations can soothe Lord Phillip, his cold indifference drives Mary, who fights against it (a minor and feeble struggle at best), closer to Tommie. As the two lovers surrender to their ardor, Lord R. learns from his lawyer that Mary had been telling the truth, and he calls for her to join him in Cannes with a clean slate. O.K, but as Chief White Eagle ...

Socialite Letty Lynton is returning to New York, abandoning one-time lover Emile Renaul in South America, when she strikes up a shipboard romance with Jerry Darrow. Renault is waiting for her in New York and will not leave her alone, so she poisons him. When detectives take her to the D.A.s office, Jerry cooks up an alibi.

Directed by Mark Cousins, My Name is Alfred Hitchcock re-examines the vast filmography and legacy of one of the 20th century’s greatest filmmakers, Alfred Hitchcock, through a new lens: through the auteur’s own voice.

A group of stable hands is given a race horse when its owner retires from the business. (The group is played by the "Original Sing Band," which uses their mouths to sound like musical instruments.) They raise money to run the horse in the Hollywood Derby at Santa Anita race track. Many Hollywood personalities attend the event.