During the Six Day War between Egypt and Israel a crack team of soldiers are sent on a dangerous mission and end up getting stranded in the desert, where they are forced to fight off numerous attacks by the enemy.

Aristide receives a big inheritance from his mother, but when he meets a beautiful redhead at the cemetery, his life changes unexpectedly.

After robbing a jewelry shop in Canada, two Americans arrange a meeting near the US borders in order to split the loot. One of them has an accident with his car on his way there and gets stuck in an isolated motel until his car is fixed. The owner of the motel, a sexy woman in her thirties, falls in love with him, but her suspicions about him begin to multiply, as the police arrive at the motel...

Roger Moore and Stacey Keach star in this Italian-American co-production, and try to be the Martin and Lewis of 70's crime exploitation cinema. The rigor mortis of Roger Moore was never more noticeable as it is here, playing the straight man next to the Keach's easygoing rouge. It's a rather stale exploitation film, with the typical one liners, car chases, shoot outs, and gratuitously bad dubbing of the Italian actors. The film does have one great highlight when Keach takes a gangster's car for a test drive, and in hair-raising fashion, wrecks it through the streets of San Francisco. Unfortunately, it all doesn't work- the comedy isn't funny enough, neither Keach or Moore are particularly convincing (especially Moore, who is as dry as a desert), the violence and stuntwork is middling, the story isn't very engaging, and the ending is painfully banal. There may be just enough `so bad it's good' work that 70's exploitation fans may be entertained, but no one would call it great.