記念すべき商業映画デビュー作。卒業式を目前に控えた三人の不良高校生が、在日韓国人と彼と偽装結婚したジャパゆきとの出会いからヤクザとの争いに巻き込まれてゆく。様々な国籍の人間模様に浮かび上がる「日本」と「アジア」を力強く描き出した青春冒険劇。

A female detective tries to live a life of surveillance and of spying on couples having affairs while her husband is in a strange coma.

Fugitive Jack is doing everything in his power to evade both the police and gangsters. Assuming he’s in the clear, he moves in with Keiko, a pornstar whose early life in an abusive family still haunts her.

Halcion days, 16 November 2000 Author: white pongo (wap@nyc.odn.ne.jp) from tokyo japan Having lived in Tokyo for almost two years,i can confirm my suspicions that Sato is one of the most Japanese directors working today.His films could not be made anywhere else by anyone else.His unwavering,logical dissection of a central theme (usually something to do with psychosis and obsession) spiralling towards a nihilistic, doomed (and romantic) ending is in keeping with a dark strain that's been in Japanese culture since it's inception.Xenophobic film watchers who think this is a scary mirror of modern Japanese society should however,not take it so seriously.THE BEDROOM is a very hard film to write about.It has no asides.All the usual cinematic bull**** has been lyposucked away leaving a economic, tight and intense story that goes from A to B swiftly and leaves the imprint of a film behind without actually developing fully.But it doesn't need to.It's like a song that never repeats that riff you like so much enough to fully satisfy you,so you listen again.And (if his whole back catalogue was available in English) i would immediately put on another Sato movie after this.They are as obsessive and addictive as his characters.Unredeeming,anti-social and seriously well-made.One day,some film-maker will push forward Sato as an influence and maybe people will take notice.But until then,his small fan base will watch them in darkened rooms in dark cities trying to replicate a fever dream.

因心理疾病的缘故，中年男子永野（佐野和宏 饰）从十几岁就住在福岛的精神病院，而今已经过去40年的岁月。2011年的东日本大地震，迫使永野随同众人四处避难。在此期间，他情知自己已经痊愈，于是获准重返社会。与外界近半个世纪的隔离，令永野有如突然回到凡间的浦岛太郎。 在他的心中，依然埋藏着对某个人的思念。而今那名叫幸子（伊藤清美 饰）的女性，为了避难和丈夫、孩子搬到东京居住。得知了对方的下落，永野骑上自行车前往东京……

Hitomi ran down to a local city with her affair partner Suzuki. Daisuke, a regular customer of the soba shop where she got to work, fell in love with a bedridden wife, Sayoko, who looked a lot like her when she was young, and eventually regained her feelings of love for her wife. The relationship between Daisuke's son and his wife, Koichi, and Sanae has recently become jerky, and Sanae has finally left home. On the other hand, Hitomi is shocked to find out that Suzuki has a photo of his wife and children.

Takeshi, an alienated young man spends his lonely days obsessively following total strangers. He is employed to observe the movements of a beautiful but disturbed doctor, whose behavior is causing concern. As Takeshi continues to track her, a bond begins to grow between them, a bond which can only end in tragedy...

A deranged woman gouges out the eyes of the strangers she has sex with. She was once filmed being brutally raped on the roof of her school and is still trying to cope with the trauma.

“Okada’s death completely fits into Sato’s version of Japan, alienated and constantly watched. Women, especially, are followed with camcorders, viewed by security cameras, denied privacy. They float, friendless and unattached, in and out of phone booths, sex clubs, medical research, subways, neon cities.”

Ryuzaki, an editor of Muscle Magazine, which features photographs of men with sculpted bodies, becomes involved with a man named Kitami; their affair soon becomes dominated by sadomasochistic games, with a horrid result. Jump ahead one year, Ryuzaki is released from jail and goes in search of Kitami, perhaps to make amends.

映画監督・大島渚の素顔を、妻・小山明子さんの視点を通じ描く。 今年１月に死去した映画監督・大島渚。常に時代を挑発する作風と、過激な言動で知られた大島監督はその作品と同じく、波乱の人生を歩み続けた。そしてそのすぐ隣には、映画監督・大島渚の妻として、また女優として生きる、妻・小山明子さんの深い葛藤があった。社会への批判と挑戦を続ける夫を懸命に理解しようと努力した青春時代。さらに大島監督が脳出血で倒れて以降は、後遺症を負いながらも映画「御法度」に挑もうとする夫を支える重圧が小山さんにのしかかる。 自らもうつ病に苦しみ、夫の看護もままならず入退院を繰り返すこととなった小山さん。しかしその苦悩はやがて、「御法度」の完成、そしてカンヌ映画祭出品で報われる。それは二人が本当の夫婦になっていくまでの知られざるドラマでもあった。こわもてのイメージで知られた大島渚の素顔を、妻・小山明子さんの視点を通じ描く。

Keiko is the new owner of a local television station, and she’s determined to succeed, no matter what! But the rival TV station will stop at nothing to crush her, and one by one, Keiko’s new programs are humiliatingly sabotaged. When the weather woman falls victim to an underhanded trick, Keiko decides that she’s through being nice. While filling in for the stricken reporter, she flashes her underwear, making her weather forecast an instant hit! What follows is an outrageously sexy contest – which judges skimpy costumes and arm wrestling instead of beauty and talent – to determine who will be the reigning weather woman!

The true story of a pair of college students who attempted a double suicide to end their doomed romance becomes fare for legendary pinku-eiga director Hisayasu Sato in this feature. Fatalistic and sad, this is one of the more depressing Japanese softcore films, and Sato makes it even worse by including footage from the lovers’ actual 8 mm experimental film throughout the story

Fearing dead-end futures, abused schoolgirl Alisa and neglected housewife Harumi plan a new life together, bankrolled by a bag of stolen cash. But with an incestuous father and a jealous mother-in-law in hot pursuit, their journey to the other side of the night becomes longer — and stranger — than they could’ve expected.

An investigation into a videotape that shows the results of a brutal murder committed using a knife-equipped camera.

2004 film by Shinji Imaoka

High school student Kozue spreads flyers in search of her missing classmate. A psychopath lures her to his place, where he imprisons her. The psychopath gets his kicks by raping his victims with a chrome vibrator, poisoning them then photographing them as they die. However, when Kozue doesn’t act like his typical victims they start up a strange and twisted relationship.

A conceptual pinku film by renowned experimental artist Hiroyuki Oki, which is conceived of 60 shots which all are 60 seconds long and represent an absurdist take on the narrative ans stylistic schemes of erotic cinema.

A journalist. Two photographers. One infamous serial killer on the loose. DARKROOM FANTASIES is directed by 77mi.cc Academy Award Winning Director Yojiro Takita.

Japanese cult director Hisayasu Sato made this slow-moving pinku-eiga story for Shintoho, one of two for the studio that year among his four 1989 releases. This is a standard tale of an abusive psychologist (Kazuhiro Sano) whose S&M sexplay becomes too much for his wife (Kiyomi Ito). She leaves him, but happiness arrives in the form of her masochistic twin sister (Ito again), who is perfectly content to be Sano's whipping-girl.