Towards the end of World War II, the fictitious French mountain village of Molinette is occupied by German troops. Because of sleep aid, served by his French girlfriend Hélène, the German corporal Karl Küppers misses the departure of his company to Russia. With the help of the purposeful Frenchwoman he becomes Ortskommandant.

After World War II, a lot of people, who lived in the eastern parts of the Third Reich had to be relocated. One of them is Hugo Starosta (Martin Held) with his family. They live in a fortress. Hugo is unemployed, his children don't seem to like school, but somehow they managa to get through.

Florestan Mississippi, a public prosecutor by profession, visits a lady named Anastasia and, while drinking coffee with her, convicts her of poisoning her husband. At the same time, he asks for her hand in marriage, as he too has killed his wife with poison; the marriage is to be the "atonement" of the two poisoners. The four allegorical personifications in this comedy are, in addition to the loveless, absolute justice in the form of the prosecutor Mississippi, perfect equality, represented by the world revolutionary Saint-Claude, Christian love, embodied in the down-and-out, alcoholic tropical doctor Count Uebelohe-Zabernsee, and finally the "Frau Welt" of the old mystery play – Anastasia, who falls for everyone and betrays everyone, loves nothing but the moment, and dies with an invoked untruth on her lips.

Bruno Stiegler, a boxing promoter with a disreputable past, returns from America to Berlin to make some big things again with his friends. Fatally, he is always preceded by some gentlemen from better circles who are developing amazing criminal activity in their old days. They are led by Oberlandesgerichtsrat a. D. Herbert Zänker, whom it still hisses, that he could bring in his term Bruno never behind bars.

Arne Sucksdorff’s ethnographic feature documents the life and rituals of the Muria people in the Bastar jungle of central India, focusing on their traditions, music, and relationship to the natural environment. Presented with Sucksdorff’s lyrical visual style, the film was selected for the 1958 Cannes Film Festival.

Director Wolfgang Staudte who left East Germany in 1953 to make movies in West Germany, takes a few swipes at the West German judicial system in this fairly effective courtroom drama about the murder of a four-month-old baby. Police almost immediately arrest the mother Ingrid who is the mistress of the father, a rich business VIP married to another woman. His position and wealth keep him insulated from suspicion. A hot-shot lawyer has to overcome the unaccountably biased perceptions of the police, the judge, the prosecutor and almost everyone else in the judicial system. The defence lawyer, driven to an extreme, knows he has to find the real killer or his client will be convicted.

在德皇威廉二世统治时期的科佩尼科小镇，一个名叫福克特的人，为了出国谋生，涂改、偷窃护照入狱。出狱后为了找到工作他不得不挺而走险，冒充上尉并带领士兵包围了市政府，还绑架了市长官员，希望能得到一张护照，结果他的希望落空了，又一次入狱。当他从监狱出来时却成了赫赫有名的“科佩尼克上尉”。