In a village of heterogeneous ethnic composition (populated by Serbs and Croats), the local hunter gets wounded by an accidental shot which stirs up passion among the two communities.

Yugoslavian filmmaker Goran Markovic directs the psychological drama The Cordon. Set in Belgrade over Easter weekend in 1997, the film involves a group of policemen who respond to the city's political turmoil. Due to the overthrow of Serbian leader Slobodan Milosevic, violence and protests have erupted all over the city. Patrolling the streets in a bus driven by Uros (Ratko Tankosic), the unit consists of Crni (Dragan Petrovic), Dule (Nikola Duricko), Kole (Nebojsa Milovanovic), and Seljak (Nenad Jezdic). They are led by commanding officer Dragon (Marko Nikolic), who isn't entirely sure what to do himself. Throughout their weekend-long shift, each man battles with his own personal problems as the political tension escalates. The Cordon won the top prize at the 2003 Montreal World Film Festival.

It describes the social process of stratification in the Serbian countryside during late 19th century, which occurs with the penetration of the commodity-money in the countryside. Under new conditions, peasants and farmers are unable to adapt, and rot under the burden of debts.

Two very different, but aging neighbors, Ratko and Krekich, share a rooftop terrace. Their settled lives are overturned by the arrival of an outgoing young girl, Andja, who takes the empty flat next door. But their dreams of revived youth and love and a better life, outside the strife of Yugoslavia's civil war, are short-lived as jealousy and army duty tear them apart.

Middle-aged couple try to preserve at least some of their dignified life in times of war, poverty and sanctions.

Trouble usually starts when the power falls into the wrong hands. That's how the book that hides an ancient evil fell to Stanislav. It does not matter whether Stanislav is a nice guy who helps old ladies cross the street, a psychopath, nerd, or a blood-thirsty young man.