This early D.W. Griffith short shows the director's interest in Jewish ghetto life, portrayed here with sympathy and sentimentality. The melodramatic plot involves the conflict between generations in an immigrant Jewish family.

A young maiden is seduced by a charming traveling peddler who persuades her to steal from her host family in order to repay his gambling debts.

Mrs. Wharton, a dashing widow, gives a party at her beautiful villa in honor of the presentation to her of a handsome diamond necklace by her fiancé. During the evening bridge participated in by a number of the guests, among whom is Myrtle Vane. Miss Vane is playing in wretched luck, and is advised several times by Mrs. Wharton to desist, but she still plays on in the vain hopes of the tide of fortune turning, until at last, in the extreme of desperation, she stakes her all and loses. Shame and disgrace stare her in the face. What can she do to recoup her depleted fortune? As one of the guests there is Professor Francois Paracelsus, the eminent palmister, who of course, was called upon to read the palms of those present. Sheets of paper were prepared and each imprinted their hand on a sheet to be read by the erudite soothsayer at his leisure, and so were left on the drawing room table.

The central figure is an old miser, a Harpagon of sorts, who, like Frosine, stashes his ill-gotten money in a secret cellar. While the miser is at the bank, exchanging stolen notes for gold coin, a couple of thugs witness the transaction and see their opportunity-- It seems avarice grips the hearts of all those who'd possess the bag.

During the American Revolution, a young soldier carrying a crucial message to General Washington is spotted and pursued by a group of enemy soldiers. He takes refuge with a civilian family, but is soon detected. The family and their neighbors must then make plans to see that the important message gets through after all.

An anonymous donor drops a gold coin in the shoe of a homeless girl as she sleeps. A gambler with a 'sure thing' borrows the coin and wins a fortune, but he can't find her again to repay her.

After three years at sea, Edward returns home to find his sweetheart forced into an engagement with a much older man.

When Mabel romantically rejects a villain, he ties her to the railroad tracks, leaving her bashful suitor to appeal to famous racecar driver Barney Oldfield for help.

The Count sets out to make a private room for him and his Countess, built in such a way no one can see, hear, and most importantly, disturb them. But unbeknownst to the Count, his wife has set her eyes on the court minstrel. Based on Edgar Allan Poe's “The Cask of Amontillado” and Honoré de Balzac's “La Grande Breteche”.

Mabel and her sweetheart go to the beach and play a trick on the boyfriend's father.

A rollicking compendium of the greatest hits of silent-cinema chase sequences

A bored Lady Helen goes slumming as a domestic in a boarding house. There she falls in love with a sensitive young musician. The other women in the house are jealous, and accuse her of trying to steal the musician's violin. Lady Helen retreats to her own home, and arranges a position for the musician which allows them to be together.

Adonese is returning home from seeing the woman he is courting, and he is driving around a corner when his car accidentally brushes against the tramp 'Faithful' and knocks him over. Feeling sorry for him, Adonese helps him up and buys him a new suit of clothes. The naively innocent Faithful reads too much into this gesture, and he begins to follow his benefactor everywhere, expecting to receive future gifts.