Elsie has a mistress named Alice. Tito has a mistress named Susan. Tito and Elsie are married to each other and expecting a baby!

A "barkada" of five–Kurt, Ma-an, Denzel, Hadji, and Junamae experiences the various faces of adulting in a world that seems to be losing faith in the concept of love.

Laya is a young professional photographer who has drifted away from her family. Her father has fallen ill, but she hasn’t once come to visit him at the hospital. Her mother, who left their family when Laya was a child, returns to urge Laya to make amends with her father, but Laya’s pain goes deeper than her mother suspects. Laya is sent to the provinces to document a ritual of a disappearing indigenous tribe, and there, she inadvertently comes face to face with her own demons as she observes the relationships of the last remaining members of this dying culture.

當Iyay被告知前夫已往生，她告訴孩子們出發到菲律賓中部參加爸爸的喪禮。
在旅途中，唐氏症的Hubert、失戀的變性Jude、以及好吃懶作的Jay，這些家中成員面對過往的恩怨如何釋懷與理解?
又如何享受不確定未來的美好旅程?導演擅長以小人物主角故事，描繪荒誕又真實的人間喜劇，觸動人心。

20世纪90年代的马尼拉，电子游戏刚开始在街头巷尾盛行。在盛夏，米莫和她的好朋友保罗、吉利根、卡琦携手踏上了一趟自我发现的旅程，在打游戏的同时，他们需要面对很多问题：刚刚萌芽的爱情，信仰与亲情的取舍以及无法忽视的来自同辈间的压力。拉亚·马丁转型力作，90年代菲律宾可爱版《伴我同行》。真挚的情感、天马行空的想象力和青翠欲滴的色彩结合在一起，打造出如同电子游戏般活力四射、高潮迭起的青春故事。