In 1945, Ernst Machner returns home from the war in his mid-20s. Tuche would like him to weave for a living, but his comrades persuade him to become a young teacher instead.

Martin′s and his girlfriend′s Kathrin′s childhood comes to an abrupt end in 1920, when their Mecklenburg village is drawn into the events surrounding the Kapp putsch. By accident, Martin discovers a charge of weapons that land owner von Bröder had put away for the reactionary forces, and gives them to the workers in the city. When the village starts to organize a strike against the putsch, soldiers arrive at the village to hold down the residents of the village.

Was it an act of sabotage or willful negligence? The non-party engineer Heinz Solter is suddenly arrested and accused of approving a defective pipeline that caused a half million loss to his company. At first, the case seems clear-cut for the state prosecutor, but when he probes deeper, he discovers that Solter had acted against his better judgment due to the pressure from his career-driven and authoritarian boss.

Berlin in the 1960s. Olaf and Horst are two young metalworkers, who provoke their older colleagues with critiques of the antiquated equipment and lack of materials... not to mention their love of leather jackets and motorbikes. Olaf and Horst begin to be targeted in the house newsletter, and the generational conflict escalates.

High-school senior Peter considers the adults around him to be hypocritical, self-congratulatory, and immersed in the past. He gets suspended for writing an essay that his teachers consider to be a challenge to the state. Just Don't Think I'll Cry became one of twelve films and film projects-almost an entire year's production-that were banned in 1965-1966 due to their alleged anti-socialist aspects. Although scenes and dialogs were altered and the end was reshot twice, officials condemned this title as "particularly harmful." In 1989, cinematographer Ost restored the original version, and this and most of the other banned films were finally screened in January 1990. Belatedly, they were acclaimed as masterpieces of critical realism.