Two fanatical Flamengo fans get drunk after a defeat of time; a voyeurist peers at his neighbor's nakedness with binoculars; a suburbanite kills his wife over a chicken; an ambitious father makes money from his daughter who pretends to see the virgin Mary; a loving couple desperately seeks to satisfy their sexual desires; a priest tries to extort more alms from his parishioners; a married man, to survive, poses as a transvestite on a boat; a suburbanite prepares to sing on the Chacrinha show! Anything can happen in this film!

Hello, Hello, Terezinha! is a feature-length documentary about the country's biggest communication phenomenon. Politically incorrect, radical, renewing, Chacrinha changed Brazilian television forever and expressed a Brazil that was around it, but was not perceived. The film tells the great adventure of Abelardo Barbosa through the eyes of the presenter. It gathers the nuclei of its constellation - chacretes, fledglings and artists who passed through its programs - to identify their individualities and their emotions.

Guia de Filmes indicates: "melodrama addressing the massification of large urban centers and the contradictions of consumer society and advertising. It is the first independent production by the firm of Vera Fischer and Perry Sales, and also, the first film directed by Englishman Michael Sarne in Brazil; however, he retired before completion and the film was finished by Perry Salles, marking his directorial debut ".

1966 film by Victor Lima