A man who tries to stop a mugging finds himself accused of murdering the criminal after the victim and witnesses fail to corroborate his story. A young reporter believes the man and tries to find out why the parties involved are trying to frame him.

A wheelchair-bound woman manipulates her family to a point where they suspect she may be unhinged.

At a house party, Lucy Prior allows herself to be hypnotized by Miles Farnham. While under his spell, she claims to be a woman living in 1859 and in the process of describing what she did, picks up a pair of scissors and kills her husband. In looking into the case, the coroner determines that in 1859 a woman did just as Lucy described but is suspicious that this could be a sham. At the inquest, Miles suggests that he hypnotize Lucy, with unexpected consequences.

Karen wakes up in an unfamiliar bed, with a hangover that's even worse than usual. She knows that by getting drunk again she has once more broken her promise to her boyfriend Jeff. Then she realizes that her hand is bandaged and badly injured, and she struggles to remember what happened the night before. She had gone to a party with Jeff, but she felt uncomfortable and lonely, and had started to drink. She tries to piece together the rest of the night, but all she can remember is being angry and drunk.

Mary Summers does not want to stay alone at home when her husband Arthur goes away on business. She asks that her family be allowed to stay with her. Arthur refuses her request. While Arthur is away an escaped mental patient breaks into the house. Surprisingly, the mental patient gets along with Mary. She is not afraid of him. She tells him about a dream she has had where someone follows her up the stairs. When the police arrive, the mental patient makes an escape. After the the police leave, Mary hears someone coming up the stairs just like in her dream. She find's Arthur's pistol as the door opens. At the door is Arthur. He came home early when he heard about the escape at the asylum. Even though she knows its him, Mary shoots him. She then calls her family and tells them she is coming home.

When a friend moves to San Francisco, Carl and Annette Borden agree to take her Great Dane, Cassandra. Carl gets along wonderfully with the dog, but the beast doesn't seem to take well to Annette. Carl is a writer, Annette an artist who works with clay. She's also an artist in the kitchen, where some serious domestic trouble is about to begin. Meanwhile, Cassandra lives up to her name.