After the destruction of the Palestinian village of Ma’loul in 1948 and the forced displacement of its inhabitants, the site remains uninhabited. Each year, former residents are allowed to return for a single day, gathering among the ruins to share memories, recount the village’s past, and introduce younger generations to a place they cannot permanently inhabit, sustaining collective history through ritual return and testimony.

1993 film by Michel Khleifi

Route 181, offers an unusual vision of the inhabitants of Palestine-Israel, a common vision of an Israeli and a Palestinian. In the summer of 2002, for two long months, Eyal Sivan and Michel Khleifi travelled together from the south to the north of their country of birth, traced their trajectory on a map and called it Route 181. This virtual line follows the borders outlined in Resolution 181, which was adopted by the United Nations on November 29th 1947 to partition Palestine into two states. As they travel along this route, they meet women and men, Israeli and Palestinian, young and old, civilians and soldiers, filming them in their everyday lives. Each of these characters has their own way of evoking the frontiers that separate them from their neighbours: concrete, barbed-wire, cynicism, humour, indifference, suspicion, aggression…Frontiers have been built on the hills and in the plains, on mountains and in valleys but above all inside the minds and souls of these two peoples and in the collective unconscious of both societies. Route 181, Fragments of a Journey in Palestine-Israel, takes us on a disorientating journey across this tiny territory with vast ramifications.

One day, as he is bird-hunting, he becomes the hero of a modern-day tale: Yussef falls in love with Aida, a young gypsy girl. To marry her, he must first find the three jewels missing from a family necklace brought from South America by the girl’s grandfather.

A Palestinian seeks Israeli permission to waive curfew to give his son a fine wedding. The military governor's condition is that he and his officers attend. The groom berates his father for agreeing. Women ritually prepare the bride; men prepare the groom. Guests gather. The Arab youths plot violence. One Israeli officer swoons in the heat and Arab women take her into the cool house. A thoroughbred gets loose and runs to a mined field; soldiers and Arabs must cooperate to rescue it. As darkness falls, tensions between army and villagers rise, and the groom's wedding-night anger and impotence threaten family dignity and honor. Can cool heads prevail?