The film tells the story of young people in their early 30s; it speaks of their past and present romantic relationships and their attempts to find their way in life, one based on true feelings and decisions. Rather than well-set relations, which obstruct the vital flow of life, it seeks a direct contact with the world and other people.

A boy who has nothing and a girl who seems to have everything embark on an adventure following fake Santa in the middle of the night. That night all of their Christmas wishes come true, but not quite the way they've each expected.

2002 film directed by Igor Šterk

A wordless and virtually soundless but nonetheless exquisitely sensitive drama about an overweight butcher who lives alone and the strange fascination he develops for an attractive young woman he sees on his regular bus route. He takes tentative steps to approach her but though he receives an open, caring smile, fails to respond.

Documentary film explores the role of women in the Slovenian film and is also looking for reflections in the film classics of the constant changing position of women in the society. Documentary also refers to popular and lesser-known women's roles in the history of Slovenian film, heroines in the literal sense, typical roles in many partisan films, as well as the established cliches: a suffering mother, adulteress, gossip. Through interviews with the actresses, theorists and artists as well as analyzing the most common phrases expressed by women in the Slovenian films, the film tries to reveal the true Slovenian film heroine.

The life and rather obscure hardships of a Slovenian feminist author and human rights activist Angela Vode.