After a peasant joins the royal army, never to return from war, his wife raises their daughters Schneeweißchen and Rosenrot as if he may return ant day and keeps telling stories how wonderful he is, having chased all dwarfs. The realm being impoverished and threatened with famine, prince Jacob convinces his father to let him sell the treasury to buy sowing-seed, but is surprised by an evil dwarf who transforms him into a bear. A gang of wandering dwarfs is tired of lacking cave or treasure, so their chief tricks one into winning some for them. He ends up at the sisters' humble homestead, but keeps getting caught with his beard -where his magic power resides- or countered by the protective spell of the rose garden. The king is meanwhile tricked by a fraudster into confiding his last gold for speculation on the stock market to the crook. The courtiers are horrified to be ordered to form a bear hunt party.

三人兄弟の末っ子の心やさしい王子が、意地の悪い2人の兄の妨害をはねのけ数々の冒険の後、美しい姫と結ばれるまでを描いたアニメ。ヤーコブとウィルヘルムのグリム兄弟の童話をもとに、田代淳二が脚色、監督は『ボビーに首ったけ』の平田敏夫が担当。1987年、「東映まんがまつり」の1本として公開。昔、3人の王子をもつ王様がいた。彼は息子たちに、庭にある金のりんごのなる木を番するよう命令した。だが、それを守ったのは、末っ子のハンス王子だけで、彼はりんごを口に加える金の鳥を見つけ矢を射かけた。この話を聞いた王長は、3人の王子に金の鳥を探しだすことを命じた。一方、金の鳥は、カネマッチ国の魔女に飼われており、魔女は鳥を傷つけた犯人に復讐をするため、3匹の山猫を派遣する。3人の王子は、森の中で狐のルルと知り合い、ルルの案内で金の鳥のいる城へ向かうが・・・。

Since the death of villager Weber, his widow lives from weaving. Docile daughter Marie helps her with spinning and all other chores, inseparable from pouch Strupi, while her sister Louise invokes delicate hands to do very little for her upkeep. Exhausted from spinning, Marie pricks herself, looses the spool in a water pit and trying to retrieve it, falls in, but emerges in the fairy land of Mrs. Holle. Having been kind and helpful to every creature and talking objects, she's welcomed and praised for cheerfully helping with seasonal chores, which regulate life on earth. Longing to her family, she asks and gets to be returned, with the spool and her dress turned into gold and gets a hero's welcome. Louise can't stand being utterly ignored, jealously pricks herself and jumps into the pit, but in Hole's land remains as rude and lazy, before being returned through the same magical gate, which rewards to merit: as dark and dirty as her selfish heart, with a wise advice as an only prize.

A farmer receives land from the king and discovers a buried golden mortar. He decides to give it to the king out of gratitude, but his clever daughter warns him that the king will surely want him to bring a corresponding pestle as well. When the king throws the farmer into jail for fraud, he bemoans the fact that he did not listen to his daughter.

When a selfless king learns of a beautiful princess in a neighboring kingdom who callously turns down every suitor with an insult, he tries his luck to no avail. So, he hatches a plot with her father in which the princess is married to him, in disguise as a beggar, so he can teach her lessons about humility and compassion.

根据德国民间传说改编的童话电影. Snow-White and Rose-Red (German: Schneeweißchen und Rosenrot) is a German fairy tale. The best-known version is the one collected by the Brothers Grimm as tale number 161. It is Aarne-Thompson type 426, the two girls, the bear, and the dwarf. An older, somewhat shorter version, The Ungrateful Dwarf, was written by Caroline Stahl; this in fact appears to be the oldest variant of the tale, as there are no known previous oral versions, although several have been collected since its publication. The oral variants of this tale are very limited in area. It is not to be confused with the Grimm fairy tale Snow White (which is written Schneewittchen in German, rather than Schneeweißchen) that provided the basis for the Walt Disney film Snow White and the Seven Dwarfs; this is a completely different character, and she has nothing in common with the other one, other than sharing her name.

1969 Soviet animated cartoon directed by Inessa Kovalevskaya

Adaptation of the classic fairytale. Rapunzel lives alone in the woods, in a tower with no doors. Then, one day, a mysterious stranger comes for a visit.

剧情描述高仅五寸的小男孩汤姆被一对善心的伐木者夫妇收养，他的出现为村里的每个人带来欢乐。然而一对邪恶的坏蛋伊凡和汤尼却打算将小汤姆偷走，使他遭遇到可怕的命运，幸好坏人的计谋终于破败，汤姆重出生天。

白雪公主（劳拉·伯林 Laura Berlin 饰）的母亲去世后，父亲再娶，继母是一个心狠手辣的女人，她一直妒忌国王对于白雪公主的宠爱，于是派出猎人想要暗杀白雪公主。善良的猎人并没有真的杀死白雪公主，而是放了她一条生路，在森林里迷了路的白雪公主在误打误撞之中走进了小矮人的家，又累又困的她在小矮人的床上睡着了。 没过多久，外出工作的小矮人们纷纷回家了，看见了熟睡的白雪公主，被她的美貌惊呆了。就这样，白雪公主和七个小矮人生活在了一起。很快，继母就得知了白雪公主没有死的消息，她假扮成老婆婆，哄骗白雪公主吃下了毒苹果，白雪公主昏死过去。

For those unaware of Reiniger or her prolific output, it should be immediately noted that not only was she a distinctive filmmaker but also a pioneering one. The earliest short on this collection, a version of Cinderella from 1922, describes itself as being “told by a pair of scissors on a screen” and this is exactly how she worked. Reiniger’s films were all made in a singular silhouette style: intricately designed figures delicately animated against simple backgrounds to retell popular and much-loved stories, predominantly fairy tales as this collection suggests. As well as Cinderella we also find Thumbelina, Puss in Boots, Hansel and Gretel, Jack and the Beanstalk and so on, the tales of Brothers Grimm intermingling with the tales from the One Thousand and One Nights. Yet interestingly her technique and style came effectively fully-formed. New technologies would see her films move from silent to sound and from black and white to occasional colour, yet the basic ingredients never once change. Compare the 1922 Cinderella with the 1954 version also included on this set and you’ll see how much the two resemble each other in their briskness of pace, their fundamental character designs and their overall charm – only the fact that the latter was made for US television suggests why some of the more grotesque elements have been toned down. (As a complete contrast note the extreme differences between the two versions of Cinderella found on Disney’s now deleted two-disc special edition, the first also made in 1922, the latter being the 1949 feature; other than the source and the Disney name on both there really is only the bare minimum to connect the two.)

国王和王后迎来了他们可爱的小女儿奥罗拉公主（格瑞思·范·迪恩 Grace Van Dien 饰），为了庆祝这个崭新的小小生命的降临，城堡里举行了盛大的宴会。国王邀请了仙女和女巫们参加晚宴，哪知道仙女们迟到了，这让久候的女巫感到非常的生气。女巫设下了恶毒的诅咒，诅咒奥罗拉公主将在她16岁那一年被纺锤刺破手指而死。 内疚的仙女无法破解女巫的诅咒，却将诅咒换了一种形式，被纺锤刺中的公主不会死去，而是陷入永久的沉睡之中。一晃眼16年过去，虽然国王和王后一直对公主的安全严防死守，但悲剧还是发生了，公主，连同整座王宫都陷入了昏睡中。一晃眼多年过去，一位勇敢的王子（菲恩·琼斯 Finn Jones 饰）来到了这荆棘遍布的地方。

2006年6月在Annecy国际动画电影节上评选出的“动画的世纪·100部作品”第40名。 Coal Black is working as a maid in Harlem, but her mistress doesn't like the idea that Prince Charming is more interested in the maid than in her, so she pays some crooks to drive her to the country and kill her. But Coal Black is lucky, she isn't killed, but set free somewhere in the rural area - near a US Army Training camp. Seven GIs take care of her, but her old mistress finds out that she's still alive, and comes to poison her with candy. Only a kiss of her lover can save her now...

1933 film directed by Dave Fleischer

A princess joins forces with seven dwarfs to liberate her kingdom from her cruel stepmother, the Evil Queen.

喜欢Juraj Jakubisko的《Perinbaba》的人应该同样会喜欢这部幻想片吧。风格相近，斯洛伐克在80年代拍过不少很有意思的古装幻想片。 Based on the fairy tale "The Black Wind" by the Brothers Grimm. The story of a king who cursed by a wizard, he sickens so serious that only il water life can help. Following start of the three sons of the king, but only the small successful in its search. They not only drive the precious resource, but also to his future wife.

前东德最好的一部超现实主义幻想剧！ this is one of the most amazing looking,surreal films of all time and i only recently acquired it on video.it was just as good after fond childhood memories of it.highly recommended,with great special effects,and stunning set design,and vivid colour and cinematography.buy with confidence! This is as you remember watching it as a child. Lifelike, overtly coloured and full of magical splendor, terrifying nasties and surreal characters. In short, do not shy away from this opportunity to show a "Christmas Special" to your children in favour of the usual fare from Disney and co. Rather, pop a fresh batch of pop corn, get first dibs on the comfy chair and opt for what was arguably one of the highlights of East German children's programming.