In Liverpool there's a gang war between the Mods (who dress in the latest fashions and styles) and the Rockers (who are more into the '50s "greaser" look). Ricky, the son of a wealthy businessman, is a Mod guitar player, and in a gang fight with some Rockers, his girlfriend is killed. He leaves Liverpool for the continent and winds up in Rome, where he becomes involved with his father's mistress.

The films were made between 1964 and 1966 at Warhol's Factory studio in New York City. Subjects were captured in stark relief by a strong key light, and filmed by Warhol with his stationary 16mm Bolex camera on silent, black and white, 100-foot rolls of film at 24 frames per second. The resulting two-and-a-half-minute film reels were then screened in 'slow motion' at 16 frames per second.

Filmmaker Ken Russell poses the question: "What is a true English folk song, if there is such a thing?" After recieving an indifferent response from his dog, Russell journeys around the English countryside seeking for an answer. He encounters and interviews such famous artists as Donovan, Fairport Convention, Osibisa, Eliza Carthy, So What, Edward II and The Albion Band, among others.

Black and white footage of performances, interviews, and conversations at the Newport Folk Festival, from 1963 to 1966. The headliners are Peter, Paul and Mary, Joan Baez, Pete Seeger, and Bob Dylan, who's acoustic and electric. Son House and Mike Bloomfield talk about the blues; John Hurt, Howlin' Wolf, and Sonny Terry and Brownie McGhee show its range. The Osborne Brothers perform bluegrass. Donovan, Johnny Cash, Judy Collins, Mimi and Dick Farina, and others less well known also perform. Several talk musical philosophy, and there's a running commentary about the nature and appeal of folk music. The crowd looks clean cut.

SINATRA: All or Nothing at All is an up-close and personal examination of the life, music and career of the legendary entertainer. Told in his own words from hours of archived interviews, along with commentary from those closest to him, the documentary weaves the music and images from Sinatra's life together with rarely seen footage of Sinatra's famous 1971 "Retirement Concert" in Los Angeles. The film's narrative is shaped by Sinatra's song choices for that concert, which Gibney interprets as the singer's personal guide through his own life.

A collection of intersecting short stories set in early 1980s Los Angeles, depicts a week in the lives of an assortment of socially alienated, mainly well-off characters who numb their sense of emptiness with casual sex, violence, and drugs.

1967 film directed by D. A. Pennebaker